- title: journal
  project: tyler etters & the northern information movement
  released: 02026-07-04
  type: Anthology
  format: Digital
  role: Principal Musician
  label: Endless Field Studios
  mp3: true
  wav: false
  tracks:
    - number: 1
      title: "2012-10-01"
      length: 00:01:10
    - number: 2
      title: "2012-10-02"
      length: 00:02:13
    - number: 3
      title: "2012-10-03"
      length: 00:00:50
    - number: 4
      title: "2012-10-05"
      length: 00:04:01
    - number: 5
      title: "2012-10-26"
      length: 00:01:31
    - number: 6
      title: "2012-10-29"
      length: 00:01:56
    - number: 7
      title: "2012-11-01"
      length: 00:00:58
    - number: 8
      title: "2012-11-02"
      length: 00:02:20
    - number: 9
      title: "2012-11-05"
      length: 00:00:53
    - number: 10
      title: "2012-11-08"
      length: 00:00:37
    - number: 11
      title: "2012-11-10"
      length: 00:02:40
    - number: 12
      title: "2012-11-16"
      length: 00:04:47
    - number: 13
      title: "2012-11-18"
      length: 00:02:34
    - number: 14
      title: "2012-11-30"
      length: 00:02:14
    - number: 15
      title: "2012-12-01"
      length: 00:02:14
    - number: 16
      title: "2012-12-02"
      length: 00:00:34
    - number: 17
      title: "2012-12-03"
      length: 00:05:42
    - number: 18
      title: "2012-12-04"
      length: 00:01:54
    - number: 19
      title: "2012-12-12"
      length: 00:03:45
    - number: 20
      title: "2012-12-20"
      length: 00:03:23
    - number: 21
      title: "2012-12-24"
      length: 00:02:26
    - number: 22
      title: "2013-01-28"
      length: 00:00:54
    - number: 23
      title: "2013-02-08"
      length: 00:02:56
    - number: 24
      title: "2013-03-11"
      length: 00:02:48
    - number: 25
      title: "2013-05-09"
      length: 00:01:05
    - number: 26
      title: "2013-06-15"
      length: 00:03:07
    - number: 27
      title: "2013-06-17"
      length: 00:01:52
    - number: 28
      title: "2013-06-21"
      length: 00:00:55
    - number: 29
      title: "2013-06-23"
      length: 00:01:48
    - number: 30
      title: "2013-06-24"
      length: 00:02:20
    - number: 31
      title: "2013-06-25"
      length: 00:02:02
    - number: 32
      title: "2013-06-27"
      length: 00:03:13
    - number: 33
      title: "2013-06-28"
      length: 00:01:41
    - number: 34
      title: "2013-07-01"
      length: 00:01:03
    - number: 35
      title: "2013-07-02"
      length: 00:03:07
    - number: 36
      title: "2013-07-03"
      length: 00:02:06
    - number: 37
      title: "2013-07-10"
      length: 00:02:49
    - number: 38
      title: "2013-07-11"
      length: 00:01:33
    - number: 39
      title: "2013-07-18"
      length: 00:04:32
    - number: 40
      title: "2013-07-25"
      length: 00:04:30
    - number: 41
      title: "2013-07-29"
      length: 00:02:28
    - number: 42
      title: "2013-07-30"
      length: 00:01:00
    - number: 43
      title: "2013-07-31"
      length: 00:04:01
    - number: 44
      title: "2013-08-07"
      length: 00:03:21
    - number: 45
      title: "2013-08-25"
      length: 00:03:20
    - number: 46
      title: "2013-10-18"
      length: 00:10:53
    - number: 47
      title: "2013-11-07"
      length: 00:04:32
    - number: 48
      title: "2013-11-08"
      length: 00:02:12
    - number: 49
      title: "2013-11-11"
      length: 00:02:22
    - number: 50
      title: "2013-11-12"
      length: 00:05:36
    - number: 51
      title: "2013-11-13"
      length: 00:02:39
    - number: 52
      title: "2013-11-25"
      length: 00:01:45
    - number: 53
      title: "2013-11-26"
      length: 00:04:06
    - number: 54
      title: "2013-11-28"
      length: 00:01:12
    - number: 55
      title: "2013-12-07"
      length: 00:02:41
    - number: 56
      title: "2014-01-02"
      length: 00:01:53
    - number: 57
      title: "2014-02-14"
      length: 00:01:52
    - number: 58
      title: "2014-07-05"
      length: 00:01:25
    - number: 59
      title: "2014-10-04"
      length: 00:02:09
    - number: 60
      title: "2014-10-06"
      length: 00:04:55
    - number: 61
      title: "2014-10-11"
      length: 00:01:05
    - number: 62
      title: "2014-10-19"
      length: 00:01:12
    - number: 63
      title: "2014-10-20"
      length: 00:04:28
    - number: 64
      title: "2014-10-27"
      length: 00:02:25
    - number: 65
      title: "2014-11-08"
      length: 00:03:04
    - number: 66
      title: "2014-12-22"
      length: 00:03:21
    - number: 67
      title: "2015-01-01"
      length: 00:01:45
    - number: 68
      title: "2015-01-07"
      length: 00:02:46
    - number: 69
      title: "2015-01-12"
      length: 00:01:25
    - number: 70
      title: "2015-01-15"
      length: 00:02:35
    - number: 71
      title: "2015-03-08"
      length: 00:01:10
    - number: 72
      title: "2015-03-13"
      length: 00:01:49
    - number: 73
      title: "2015-03-14"
      length: 00:01:08
    - number: 74
      title: "2015-04-14"
      length: 00:01:23
    - number: 75
      title: "2015-04-19"
      length: 00:01:45
    - number: 76
      title: "2015-04-23"
      length: 00:00:28
    - number: 77
      title: "2015-04-24"
      length: 00:00:24
    - number: 78
      title: "2015-07-09"
      length: 00:03:16
    - number: 79
      title: "2015-08-05"
      length: 00:04:56
    - number: 80
      title: "2015-08-26"
      length: 00:00:39
    - number: 81
      title: "2015-10-23"
      length: 00:05:47
    - number: 82
      title: "2015-12-22"
      length: 00:01:43
    - number: 83
      title: "2016-01-14"
      length: 00:00:25
    - number: 84
      title: "2016-02-04"
      length: 00:00:46
    - number: 85
      title: "2016-03-16"
      length: 00:01:14
    - number: 86
      title: "2016-05-03"
      length: 00:04:29
    - number: 87
      title: "2016-07-05"
      length: 00:02:10
    - number: 88
      title: "2016-10-05"
      length: 00:02:08
    - number: 89
      title: "2016-11-01"
      length: 00:02:12
    - number: 90
      title: "2017-05-09"
      length: 00:01:04
    - number: 91
      title: "2017-05-23"
      length: 00:01:03
    - number: 92
      title: "2017-07-19"
      length: 00:02:25
    - number: 93
      title: "2017-08-11"
      length: 00:01:54
  notes: None.
  credits: written and recorded by tyler etters, 2012–2017.

- title: FORGOTTEN INDUSTRIES
  slug: forgotten-industries
  project: DJ STUXNET
  released: 02026-06-06
  type: Mix
  format: Digital
  role: DJ
  label: Intertext
  mp3: true
  wav: true
  trackIds:
    - "Monster in Paradise (feat. Milkie Way, Dave Lombardo, Tyler Bates & Tim Cappello) by GUNSHIP"
    - "Rhythm Is a Dancer (12'' Version) by Snap!"
    - "Cities In Dust by Siouxsie & The Banshees"
    - "That House by Dance With the Dead"
    - "Halloween Theme by John Carpenter, Cody Carpenter & Daniel Davies"
    - "Ruh by She Past Away"
    - "Torukia by Gabriela Robin"
    - "Future Club by Perturbator"
    - "Maybe Someday (LP Version) by The Cure"
    - "Maybe We Should / Non-Consent by The Black Queen"
    - "Nose to the Grindstone (Skeler Remix) by Skeler & Devilish Trio"
    - "When I Held Your Hand by DJ B"
  tracks:
    - number: 1
      title: FORGOTTEN INDUSTRIES
      slug: forgotten-industries
      length: 00:58:01
  streams:
    - platform: SoundCloud
      url: https://soundcloud.com/tyleretters/forgotten-industries-mixtape
    - platform: Untitled Stream
      url: https://untitled.stream/library/project/Yv5lWf2VRiGxvGqK1tkgf
  notes: For Matthew.
  credits: STUXNET is Tyler Etters.

- title: 𝐻𝑒𝒶𝓇𝓉𝓈 𝒾𝓃 𝒱𝒶𝓁𝑒𝓃𝒸𝒾𝒶, 𝒞𝒽𝒶𝓅𝓉𝑒𝓇 𝟥
  slug: hearts-in-valencia-chapter-3
  project: DJ STUXNET
  released: 02026-05-01
  type: Mix
  format: Digital
  role: DJ
  label: Intertext
  mp3: true
  wav: true
  trackIds:
    - "Boulevard of Broken Dreams by Green Day"
    - "Nowhere To Go by Bad Omens"
    - "Planets of the Universe by Stevie Nicks"
    - "alife by Slowdive"
    - "Hypnotized by Anyma & Ellie Goulding"
    - "I See Right Through To You by DJ Encore & Engelina"
    - "After All by Delerium & Jaël"
    - "My Last Breath by Evanescence"
    - "How You Remind Me by Nickelback"
    - "Intro by The xx"
    - "SexOnTheBeat by ADÉLA"
    - "Crushcrushcrush by Paramore"
    - "Days Go By by Dirty Vegas"
    - "I Feel So Free by Madonna"
    - "Forever by The Amity Affliction"
  tracks:
    - number: 1
      title: 𝐻𝑒𝒶𝓇𝓉𝓈 𝒾𝓃 𝒱𝒶𝓁𝑒𝓃𝒸𝒾𝒶, 𝒞𝒽𝒶𝓅𝓉𝑒𝓇 𝟥
      slug: hearts-in-valencia-chapter-3
      length: 00:59:44
  streams:
    - platform: SoundCloud
      url: https://soundcloud.com/tyleretters/hearts-in-valencia-chapter-3-mixtape
    - platform: Untitled Stream
      url: https://untitled.stream/library/project/8s6Ty4mznuL8GvCBKWszv
  notes: |
    We can't live forever
    But our love will never die
    Will you hold me in your heart?
    Be the light when it gets dark?
    We can't live forever
  credits: STUXNET is Tyler Etters.

- title: SINGULARITY PROTOCOL
  slug: singularity-protocol
  project: DJ STUXNET
  released: 02026-04-02
  type: Mix
  format: Digital
  role: DJ
  label: Intertext
  mp3: true
  wav: true
  trackIds:
    - "Meditation by Eduard Artemyev"
    - "Gnosis by Russian Circles"
    - "Берег моря (Из к/ф 'Красная палатка') by Aleksandr Zatsepin"
    - "Eighteen Robins Road by The Evpatoria Report"
    - "Slow Moving Trains / The Cowboy... / Drugs in Tokyo by Godspeed You! Black Emperor"
    - "The Great Leap Forward Poured Down Upon Us One Day Like A Mighty Storm, Suddenly And Furiously Blinding Our Senses. by Red Sparowes"
    - "Ataraxia by Hilyard"
    - "Tablet III by Blood Incantation"
    - "And Technological Advancements by SIOUM"
  tracks:
    - number: 1
      title: SINGULARITY PROTOCOL
      slug: singularity-protocol
      length: 00:59:56
  streams:
    - platform: SoundCloud
      url: https://soundcloud.com/tyleretters/singularity-protocol-mixtape
    - platform: Untitled Stream
      url: https://untitled.stream/library/project/Tl87IWEW1j4hbdPMI9cUU
  notes: From everywhere and all at once.

  credits: STUXNET is Tyler Etters.

- title: Incendiary Nocturne
  slug: incendiary-nocturne
  project: DJ STUXNET
  released: 02026-02-06
  type: Mix
  format: Digital
  role: DJ
  label: Intertext
  mp3: true
  wav: true
  trackIds:
    - "Curvature by ASC"
    - "Soms by nthng"
    - "Crystalline Laura Jones"
    - "Radiance II by Basic Channel"
    - "Twelve Miles High by Burger/Ink"
    - "Emerald by Luke Hess"
    - "City Centre by Deep Chord"
    - "Dub for Cascadia by Loscil"
    - "The Vonyich Manuscript by Legiac"
    - "Sleepygirl 4 by Yagya"
    - "Fr3sh by Kareem Lotfy"
    - "Pop 4 by Gas"
  tracks:
    - number: 1
      title: Incendiary Nocturne
      slug: incendiary-nocturne
      length: 00:59:43
  streams:
    - platform: SoundCloud
      url: https://soundcloud.com/tyleretters/incendiary-nocturne-mixtape
    - platform: Untitled Stream
      url: https://untitled.stream/library/project/MciXcZXLr9fhFCecBsRBV
  notes: Dubbed signal flares by which to the illuminate darkness of an empty video rental parking lot ten thousand years in the future.
  credits: STUXNET is Tyler Etters.

- title: 𝐻𝑒𝒶𝓇𝓉𝓈 𝒾𝓃 𝒱𝒶𝓁𝑒𝓃𝒸𝒾𝒶, 𝒞𝒽𝒶𝓅𝓉𝑒𝓇 𝟤
  slug: hearts-in-valencia-chapter-2
  project: DJ STUXNET
  released: 02025-11-18
  type: Mix
  format: Digital
  role: DJ
  label: Intertext
  mp3: true
  wav: true
  trackIds:
    - "Wicked Game by Chris Isaak"
    - "Tearn' Up My Heart (Original Radio Edit) by *NSYNC"
    - "Bother by Stone Sour"
    - "All Fucked Up by The Amity Affliction"
    - "Misery Business by Paramore"
    - "You Give Love a Bad Name by Bon Jovi"
    - "Hurt by Johnny Cash"
    - "Poison Girl by HIM"
    - "End of the World by Cold"
    - "Closer by Nine Inch Nails"
    - "Over Each Other by Linkin Park"
    - "Get Together by Madonna"
    - "Kiss from a Rose by Seal"
    - "Desert Rose by Sting"
  tracks:
    - number: 1
      title: 𝐻𝑒𝒶𝓇𝓉𝓈 𝒾𝓃 𝒱𝒶𝓁𝑒𝓃𝒸𝒾𝒶, 𝒞𝒽𝒶𝓅𝓉𝑒𝓇 𝟤
      slug: hearts-in-valencia-chapter-2
      length: 00:57:30
  streams:
    - platform: SoundCloud
      url: https://soundcloud.com/tyleretters/hearts-in-valencia-chapter-2-mixtape
    - platform: Untitled Stream
      url: https://untitled.stream/library/project/qeVIRbMFXSbeOK6L5x9mB
  notes: Another mixtape about dating in 2025.
  credits: STUXNET is Tyler Etters.

- title: In Abstraction, Part 2
  project: DJ STUXNET
  released: 02025-11-06
  type: Mix
  format: Digital
  role: DJ
  label: Intertext
  mp3: true
  wav: true
  trackIds:
    - "The Angels Fell (2015 Remaster) by Dillinja"
    - "hung over as the queen in maida vale by Godspeed You! Black Emperor"
    - "Music for 18 Musicians by Steve Reich"
    - "Flower by HKE"
    - "Save and Sound by bvdub"
    - "Stay with Me by Clint Mansell"
    - "Treale by Autechre"
    - 'Final Movement (feat. "Not At Home") by Clint Mansell, Peter Broderick'
  tracks:
    - number: 1
      title: In Abstraction, Part 2
      length: 00:54:43
  streams:
    - platform: SoundCloud
      url: https://soundcloud.com/tyleretters/in-abstraction-part-2-mixtape
    - platform: Untitled Stream
      url: https://untitled.stream/library/project/x8nH2CaJPKomsalhUO3RO
  notes: My life as a cyberpunk text, in abstraction.
  credits: STUXNET is Tyler Etters.

- title: In Abstraction, Part 1
  project: DJ STUXNET
  released: 02025-11-06
  type: Mix
  format: Digital
  role: DJ
  label: Intertext
  mp3: true
  wav: true
  trackIds:
    - "Blade Runner Blues by Vangelis"
    - "Reprocessing by Fireground"
    - "The Blue Notebooks by Max Richter, Tilda Swinton"
    - "Fenix Funk 5 by Aphex Twin"
    - "Give It All by Rise Against"
    - "fullmoon by Ryuichi Sakamoto"
    - "CONCRETE JUNGLE by Bad Omens"
    - "Imaginary Festival by Burial"
    - "Hybrid by Gary Numan"
    - "Disorder by Chiasm"
    - "Severed by Crossbreed"
    - "Hydropolis by LSTNGT"
    - "トルキア by Yoko Kanno, Gabriela Robin"
  tracks:
    - number: 1
      title: In Abstraction, Part 1
      length: 00:59:43
  streams:
    - platform: SoundCloud
      url: https://soundcloud.com/tyleretters/in-abstraction-part-1-mixtape
    - platform: Untitled Stream
      url: https://untitled.stream/library/project/dJYkeHnjcyPG8NP21mx17
  notes: My life as a cyberpunk text, in abstraction.
  credits: STUXNET is Tyler Etters.

- title: CONTINUUM HACK OST
  project: STUXNET
  released: 02025-10-08
  type: OST
  format: Digital
  role: Operator
  label: Intertext
  mp3: true
  wav: true
  tracks:
    - number: 1
      title: CONTINUUM HACK OST
      length: 00:15:19
    - number: 2
      title: RED HANDED
      length: 00:02:08
  streams:
    - platform: Apple Music
      url: https://music.apple.com/us/album/continuum-hack-original-motion-picture-soundtrack-ep/1846962431
    - platform: Bandcamp
      url: https://stuxnet.bandcamp.com/album/continuum-hack-ost
    - platform: Deezer
      url: https://www.deezer.com/us/album/838231712
    - platform: Spotify
      url: https://open.spotify.com/album/3PaL2SJ3mbv2asMlbOZbUh
    - platform: YouTube
      url: https://www.youtube.com/watch?v=f20qufmWVjg&list=OLAK5uy_m-rYqEdkXV6r-tPi9XzXzbgjVEfMO3aZo
  notes: |
    HUNTED BY PARAMILITARY FORCES, A ROGUE EXPLORER FOLLOWS A SIGNAL TO BRING FORTH THE NEXT LEAP IN CONSCIOUSNESS.

    HTTPS://CONTINUUMHACK.COM
  credits: |
    STUXNET IS TYLER ETTERS

    WORDS BY WILSON B. STINER

- title: In Ecstasy
  project: DJ STUXNET
  released: 02025-09-05
  type: Mix
  format: Digital
  role: DJ
  label: Intertext
  mp3: true
  wav: true
  trackIds:
    - "Count On You by Tokyo Tears"
    - "3AM by araabMUZIK"
    - "Four Walls by Massive Attack vs Burial"
    - "Precious by Depeche Mode"
    - "You And Me by Skeler"
    - "Silence (John Summit Remix) by Delerium, Sara McLachlan, John Summit"
    - "Drown U Out by 4K & Conni"
    - "We Are Free by Tokyo Tears & SAGE"
    - "As The Rush Comes (Gabriel & Dresden Chillout Mix) by Motorcycle"
    - "In The End (Mellen Gi Remix) by Tommee Profitt, Mellen Gi & Fleurie"
    - "Strangers by Portishead"
    - "Sound in a Dark Room by Telefon Tel Aviv"
    - "Afterglow (feat. Soundmouse) by Phaeleh"
  tracks:
    - number: 1
      title: In Ecstasy
      length: 01:00:33
  streams:
    - platform: SoundCloud
      url: https://soundcloud.com/tyleretters/in-ecstasy-mixtape
    - platform: Untitled Stream
      url: https://untitled.stream/library/project/4I7xSh0Xl7pWtXQxUxfrw
  notes: For Taylor.
  credits: STUXNET is Tyler Etters.

- title: In Entropy
  project: DJ STUXNET
  released: 02025-07-31
  type: Mix
  format: Digital
  role: DJ
  label: Intertext
  mp3: true
  wav: true
  trackIds:
    - "Serenity <Remake ver.> by Kota Suzuki,千本木操"
    - "Trade Winds, White Heat by Tim Hecker"
    - "And the Birds Are About to Bust Their Guts with Singing by Set Fire to Flames"
    - "(B) by mewithoutYou"
    - "VLetrmx by Autechre"
    - "Leaving Hope by Nine Inch Nails"
    - "Merry Christmas Mr. Lawrence by Ryuichi Sakamoto"
    - "True North by Hilyard"
    - "Shadow by Ernst Reijseger"
    - "Mandy Love Theme by Jóhann Jóhannsson"
    - "at another working gate by tyler etters & the northern information movement"
  tracks:
    - number: 1
      title: In Entropy
      length: 00:59:50
  streams:
    - platform: SoundCloud
      url: https://soundcloud.com/tyleretters/in-entropy-mixtape
    - platform: Untitled Stream
      url: https://untitled.stream/library/project/wFaPTc5Tqq89Egea2IJlg
  notes: None.
  credits: STUXNET is Tyler Etters.

- title: In Breakdowns
  project: DJ STUXNET
  released: 02025-07-17
  type: Mix
  format: Digital
  role: DJ
  label: Intertext
  mp3: true
  wav: true
  trackIds:
    - "Numbered Days - feat. Jesse Leach of Killswitch Engage, by Heaven Shall Burn"
    - "Beneath A Lightless Star by Holy Fawn"
    - "Coffin Varnish by The Atlas Moth"
    - "Meaningless by Deadships"
    - "Instill by Humanity's Last Breath"
    - "Hostage by Fit For An Autopsy"
    - "Hum From The Hollow by After The Burial"
    - "Nerve by Soilwork"
    - "Rational Gaze by Meshuggah"
    - "Open Letter by The Amity Affliction"
    - "Feeding The Meatgrinder by Shadow of Intent, Corpsegrinder"
    - "The Laws of Time by Nik Nocturnal, Darkest Hour, John Henry"
    - "Dig by Mudvayne"
    - "Breaking Free by Ocean Sleeper"
    - "Memphis Will Be Laid To Waste by Norma Jean, Aaron Weiss"
  tracks:
    - number: 1
      title: In Breakdowns
      length: 01:01:42
  streams:
    - platform: SoundCloud
      url: https://soundcloud.com/tyleretters/in-breakdowns-mixtape
    - platform: Untitled Stream
      url: https://untitled.stream/library/project/BfLaw4Ad6mqkpUmvx6I7g
  notes: For Spencer.
  credits: STUXNET is Tyler Etters.

- title: 𝐻𝑒𝒶𝓇𝓉𝓈 𝒾𝓃 𝒱𝒶𝓁𝑒𝓃𝒸𝒾𝒶, 𝒞𝒽𝒶𝓅𝓉𝑒𝓇 𝟣
  slug: hearts-in-valencia-chapter-1
  project: DJ STUXNET
  released: 02025-07-07
  type: Mix
  format: Digital
  role: DJ
  label: Intertext
  mp3: true
  wav: true
  trackIds:
    - "Radioactive by Imagine Dragons, Kendrick Lamar"
    - "Breathless by The Corrs"
    - "vista by iamamiwhoami, ionnalee"
    - "The Taste of Ink by The Used"
    - "Stetson by Walker Hayes"
    - "Pretending by HIM"
    - "Everytime We Touch by Cascada"
    - "Gantz Graf by Autechre"
    - "Iris by The Goo Goo Dolls"
    - "Sweetness by Jimmy Eat World"
    - "Monochrome # 27 by TU M'"
    - "The Boys of Summer by Don Henley"
    - "17 Crimes by AFI"
    - "§1 by Opeth"
    - "Enjoy the Silence by Depeche Mode"
  tracks:
    - number: 1
      title: 𝐻𝑒𝒶𝓇𝓉𝓈 𝒾𝓃 𝒱𝒶𝓁𝑒𝓃𝒸𝒾𝒶, 𝒞𝒽𝒶𝓅𝓉𝑒𝓇 𝟣
      slug: hearts-in-valencia-chapter-1
      length: 00:59:14
  streams:
    - platform: SoundCloud
      url: https://soundcloud.com/tyleretters/hearts-in-valencia-chapter-1-mixtape
    - platform: Untitled Stream
      url: https://untitled.stream/library/project/7KvW8MNtMgqGXy8HYiZOP
  notes: A mixtape about dating in 2025.
  credits: STUXNET is Tyler Etters.

- title: "THE VULGAR FRACTIONS: WALKAWAY / HAILSTONE NUMBERS"
  project: STUXNET
  released: 02025-06-21
  type: EP
  format: Digital
  role: Operator
  label: Intertext
  mp3: true
  wav: true
  tracks:
    - number: 1
      title: WALKAWAY
      length: 00:05:46
    - number: 2
      title: HAILSTONE NUMBERS
      length: 00:02:42
  streams:
    - platform: Apple Music
      url: https://music.apple.com/us/album/the-vulgar-fractions-walkaway-hailstone-numbers-single/1824448084
    - platform: Bandcamp
      url: https://stuxnet.bandcamp.com/album/the-vulgar-fractions-walkaway-hailstone-numbers
    - platform: Spotify
      url: https://open.spotify.com/album/4dzMcOikxsG64esyJDO4Vv
    - platform: YouTube
      url: https://www.youtube.com/watch?v=WaHncDswN-0&list=OLAK5uy_n_1UDmCJcViMF0_dKBNiGLZuW9YDCKYTo
    - platform: Untitled Stream
      url: https://untitled.stream/library/project/WGptLbWuWcPpKO7W9cPiA
  notes: |
    THE VULGAR FRACTIONS ARE ENDLESS
  credits: |
    STUXNET IS TYLER ETTERS

- title: "THE VULGAR FRACTIONS: COLD WARS / HYPERSTITION"
  project: STUXNET
  released: 02025-06-21
  type: EP
  format: Digital
  role: Operator
  label: Intertext
  mp3: true
  wav: true
  tracks:
    - number: 1
      title: COLD WARS
      length: 00:03:26
    - number: 2
      title: HYPERSTITION
      length: 00:03:08
  streams:
    - platform: Apple Music
      url: https://music.apple.com/us/album/the-vulgar-fractions-cold-wars-hyperstition-single/1824640199
    - platform: Bandcamp
      url: https://stuxnet.bandcamp.com/album/the-vulgar-fractions-cold-wars-hyperstition
    - platform: Spotify
      url: https://open.spotify.com/album/5hlcD3uU8d0dbmqQULdlIg
    - platform: YouTube
      url: https://www.youtube.com/watch?v=in0TuVvVtM4&list=OLAK5uy_mxhSPh8sZUqmL_eGmT0BzP3qa5EK6SQRE
    - platform: Untitled Stream
      url: https://untitled.stream/library/project/Ed5VIup60WT5ujxZ1Yh9B
  notes: |
    THE VULGAR FRACTIONS ARE ENDLESS
  credits: |
    STUXNET IS TYLER ETTERS

- title: "THE VULGAR FRACTIONS: ERROR BOUNDARY / INLAND EMPIRES"
  project: STUXNET
  released: 02025-06-21
  type: EP
  format: Digital
  role: Operator
  label: Intertext
  mp3: true
  wav: true
  tracks:
    - number: 1
      title: ERROR BOUNDARY
      length: 00:03:16
    - number: 2
      title: INLAND EMPIRES
      length: 00:04:54
  streams:
    - platform: Apple Music
      url: https://music.apple.com/us/album/the-vulgar-fractions-error-boundary-inland-empires-single/1824448218
    - platform: Bandcamp
      url: https://stuxnet.bandcamp.com/album/the-vulgar-fractions-error-boundary-inland-empires
    - platform: Spotify
      url: https://open.spotify.com/album/2gDHClmCV3sS19CRZBMfxj
    - platform: YouTube
      url: https://www.youtube.com/watch?v=9vKlKb5xeFE&list=OLAK5uy_nSV710-bo0LQ0sr1OXVJf_WGOD3Xx-M1Q
    - platform: Untitled Stream
      url: https://untitled.stream/library/project/ppLRiRcOmLDpLFtbgbeXw
  notes: |
    THE VULGAR FRACTIONS ARE ENDLESS
  credits: |
    STUXNET IS TYLER ETTERS

- title: "THE VULGAR FRACTIONS: PINNED IN TIME LIKE BUTTERFLIES BENEATH GLASS / APOTHECARY"
  project: STUXNET
  released: 02025-06-21
  type: EP
  format: Digital
  role: Operator
  label: Intertext
  mp3: true
  wav: true
  tracks:
    - number: 1
      title: PINNED IN TIME LIKE BUTTERFLIES BENEATH GLASS
      length: 00:04:15
    - number: 2
      title: APOTHECARY
      length: 00:02:55
  streams:
    - platform: Apple Music
      url: https://music.apple.com/us/album/the-vulgar-fractions-pinned-in-time-like-butterflies/1824436344
    - platform: Bandcamp
      url: https://stuxnet.bandcamp.com/album/the-vulgar-fractions-pinned-in-time-like-butterflies-beneath-glass-apothecary
    - platform: Spotify
      url: https://open.spotify.com/album/5hlcD3uU8d0dbmqQULdlIg
    - platform: YouTube
      url: https://www.youtube.com/watch?v=in0TuVvVtM4&list=OLAK5uy_mxhSPh8sZUqmL_eGmT0BzP3qa5EK6SQRE
    - platform: Untitled Stream
      url: https://untitled.stream/library/project/OC8BNzlxYR75rr8lYxm4V
  notes: |
    THE VULGAR FRACTIONS ARE ENDLESS
  credits: |
    STUXNET IS TYLER ETTERS

- title: 𝔓𝔰𝔞𝔩𝔪𝔰
  slug: psalms
  project: DJ STUXNET
  released: 02025-06-21
  type: Mix
  format: Digital
  role: DJ
  label: Intertext
  mp3: true
  wav: true
  trackIds:
    - "inner universe by Origa"
    - "Just Communication by TWO-MIX"
    - "Danzai no Hana: Guilty Sky by Riyu Kosaka"
    - "rise by Origa"
    - "Beautiful World by Hiraku Utada"
    - "Obsession by See-Saw"
    - "Simple And Clean by Hiraku Utada"
    - "Kiss me sunlights by Heart of Air"
    - "Beyond the Bounds by KONAMI, Maki Kimura"
    - "Making of a Cyborg by Kenji Kawai"
    - "Liberi Fatali by Nobuo Uematsu"
    - "Gustaberg by Kumi Tanioka"
    - "Broken Promise [Dreams] by Joe Boyd Vigil"
    - "Hiru no Tsuki by Akino Arai"
  tracks:
    - number: 1
      title: Psalms
      length: 00:59:05
  streams:
    - platform: SoundCloud
      url: https://soundcloud.com/tyleretters/psalms-mixtape
    - platform: Untitled Stream
      url: https://untitled.stream/library/project/fRlbR5AXIJx2koZdvkXAr
  notes: |
    Message of the blowing wind
    Erasing memories
    Stars are the witnesses of our existence
    Change is what the world awaits
    Could that be peace or war?
    The answer no one knows
    Trusting the break of dawn
    The blue bird flies away

    Summer solstice releases have long been a sacred tradition for me. And these are some of my most sacred psalms. I've been curating the candidates for roughly twenty years and on the finalizing the list for roughly five. It's all from JRPG & anime OSTs. May it inspire you as much as it does me.

  credits: STUXNET is Tyler Etters.

- title: midwest_sad, part 2
  slug: midwest-sad-part-2
  project: DJ STUXNET
  released: 02025-06-14
  type: Mix
  format: Digital
  role: DJ
  label: Intertext
  mp3: true
  wav: true
  trackIds:
    - "In Keeping Secrets of Silent Earth: 3 (cont.) by Coheed and Cambria"
    - "Love Rhymes with Hideous Car Wreck by The Blood Brothers"
    - "People ii: The Reckoning by AJJ"
    - "The Bad In Each Other by Feist"
    - "Hurt by Johnny Cash"
    - "Obsessive Compulsive by The Firebird Band"
    - "To a Friend by Alexisonfire"
    - "Eye by The Smashing Pumpkins"
    - "Sometimes by The Digital Kill"
    - "Skinny Love by Bon Iver"
    - "How to Disappear Completely by Radiohead"
    - "Weak And Powerless by A Perfect Circle"
    - "Soul Meets Body by Death Cab for Cutie"
    - "To Be Alone With You by Sufjan Stevens"
  tracks:
    - number: 1
      title: midwest_sad, part 2
      slug: midwest-sad-part-2
      length: 00:59:25
  streams:
    - platform: SoundCloud
      url: https://soundcloud.com/tyleretters/midwest-sad-part-2
    - platform: Untitled Stream
      url: https://untitled.stream/library/project/I1BQS4lOiZu2EUiKqXRPQ
  notes: |
    Woah-oh-oh-oh, oh-oh-oh, oh-oh-oh.
    Woah-oh-oh-oh, oh-oh-oh, oh-oh-oh.
    Woah-oh-oh-oh, oh-oh-oh, oh-oh-oh.
    Woah-oh-oh-oh, oh-oh-oh, oh-oh-oh.
    Now, we're coming home.
  credits: STUXNET is Tyler Etters.

- title: midwest_sad, part 1
  slug: midwest-sad-part-1
  project: DJ STUXNET
  released: 02025-06-14
  type: Mix
  format: Digital
  role: DJ
  label: Intertext
  mp3: true
  wav: true
  trackIds:
    - "Fight Song by The Appleseed Cast"
    - "Gunpowder: A Ballet by Dr Manhattan"
    - "Our Holy Ghosts by The Felix Culpa"
    - "The Seer's Tower by Sufjan Stevens"
    - "Shiola by Murder by Death"
    - "Understanding in a Car Crash by Thursday"
    - "In Circles - Remastered by Sunny Day Real Estate"
    - "January 1979 by mewithoutYou"
    - "Your Death Makes Me Wish Heaven Was Real by Frail Body"
    - "Stare At The Sun by Thrice"
    - "Four Winds by Bright Eyes"
    - "Art is Hard by Cursive"
    - "Act Appalled by Circa Survive"
    - "In Keeping Secrets of Silent Earth: 3 by Coheed and Cambria"
  tracks:
    - number: 1
      title: midwest_sad, part 1
      slug: midwest-sad-part-1
      length: 00:59:18
  streams:
    - platform: SoundCloud
      url: https://soundcloud.com/tyleretters/midwest-sad-part-1
    - platform: Untitled Stream
      url: https://untitled.stream/library/project/lYBChFUYCuureLWbUKfye
  notes: If "you had to be there" then I wouldn't have made this mixtape. It was a very specific time and place. But the music we played was just "music" to me. It would be years later until I learned that it was all actually emo, midwest-emo, screamo, hardcore, metalcore, progressive... It was folk music for us, right? So we start in the midwest. Appleseed Cast (Kansas) then over to Dr. Manhattan (Illinois), The Felix Culpa (also Illinois), and then a bit less underground when we climb the Seer's Tower with Mr. Stevens. It goes on from there. This is a time capsule. This is midwest sad, part 1. Man your own jackhammer.
  credits: STUXNET is Tyler Etters.

- title: Brooklyn Vengeance
  project: DJ STUXNET
  released: 02025-05-31
  type: Mix
  format: Digital
  role: DJ
  label: Intertext
  mp3: true
  wav: false
  trackIds:
    - "Vengeance. (feat. Graham Sayle) by Rainy Miller"
    - "Poltergeist by Arjan Miranda"
    - "Penance by Uniform, The Body"
    - "Failed Future by Master Musicians of Bukkake"
    - "Aperic sers elel by Ernest Ogannesyan"
    - "Made by Jamie Isaac, Nosaj Thing"
    - "Jetset by Ojerime"
    - "Suits Maps And Guns by Tyler Bates, Joel J. Richard"
    - "A Glass Can Only Spill What It Contains by mewithoutYou"
    - "The Boxer by Simon and Garfunkel"
    - "Wat U Sed (feat. Doechii & Karl Banx) by Isaiah Rashad"
    - "Street Struck by Big L"
    - "Heart of the Devil by Danzig"
    - "Out of Touch by Fruit & Flowers"
    - "Requiem by Cade Diehm"
  tracks:
    - number: 1
      title: Brooklyn Vengeance
      length: 00:60:01
  streams:
    - platform: SoundCloud
      url: https://soundcloud.com/tyleretters/brooklyn-vengeance
    - platform: Untitled Stream
      url: https://untitled.stream/library/project/9j3H5W8o7usQQYWnLI3Yg
  notes: |
    Songs I discovered or listened to during my 2025 trip to New York City. Alas, Caroline's stuff got stolen so the original artwork is gone. This shot is from a roll of Kodak Ektachrome E100. I was on Grand Street in Williamsburg, Brooklyn.
    For Megan, Alena, Kelsey, Arjan, Randall, Ben, Hugh, Austin, Charmaine, and Caroline.
    I will return.
    I promise.
  credits: STUXNET is Tyler Etters.

- title: A report on our findings
  project: Northern Information
  released: 02025-05-08
  type: LP
  format: Digital
  role: Band Member
  label: Intertext
  mp3: true
  wav: true
  tracks:
    - number: 1
      title: Scorched Earth x Kyle Church
      length: 00:04:20
    - number: 2
      title: Half Hidden Algae Bloom x McNUG
      length: 00:07:02
    - number: 3
      title: Pod Song (Obibe's Tale) x helen_g
      length: 00:03:46
    - number: 4
      title: x Dani Derks
      length: 00:06:33
    - number: 5
      title: Time Tunnel x Jano.987
      length: 00:03:03
    - number: 6
      title: Kompromat x DJ John Lovetron
      length: 00:04:03
    - number: 7
      title: Rewilding x postsolarpunk
      length: 00:05:06
    - number: 8
      title: Deram x license
      length: 00:06:39
    - number: 9
      title: Hempishere Sync x Tony MF
      length: 00:03:17
    - number: 10
      title: MKULTRA x Alex Mathiesen
      length: 00:04:15
  streams:
    - platform: Apple Music
      url: https://music.apple.com/us/album/a-report-on-our-findings/1813512539
    - platform: Bandcamp
      url: https://northerninformation.bandcamp.com/album/a-report-on-our-findings
    - platform: Deezer
      url: https://www.deezer.com/album/754125191
    - platform: Spotify
      url: https://open.spotify.com/album/25hvpFd22OSW2wiGwppvkU
    - platform: YouTube
      url: https://www.youtube.com/watch?v=eQOVQBNpkX4&list=OLAK5uy_mXySQHBDaa8FhjtbR6cKPTSqLDrL310Fo
  notes: |
    Recovery of human-anchored time reprogramming module begin. Heartbeat synchronization oscillator OK. Sodium chloride levels OK.
    Digital twin, where to begin, scroll to the bottom, melt into air. Lunatic vector, keep it together, memory failure, world repair.
    Sensor data exceeds instrument maximum 999 days. Subject markers found in multiple parallel streams post Baysinski Event. Parallel timeline harmonization commence.
    Ancestor arpeggiation, carrier wave evasion, body without organs, open from other side. Sea is mother, bones are brothers, mouth to mouth knowledge, out with the tide.
    Distributed consensus failure identified. Sharded memory storage unable to complete self-repair operation. ʟᴇᴠɪᴀᴛʜᴀɴ n-dimensional defragmentation protocol initiated.
    Plate subduction, callback function, fog of war, cyclical time. Context collapse, territory/map, synchronized breathing, now that you're mine.
    Compromised elements nullified / integrated. Archival and on-line access restored. Subject vessel resuming boot using modified kernel.
    Time of our lives, opening wide, gaze of the other, sooner is best. Scattering ashes, everything passes, tell me a story, into the west.
    Health checks OK. Logging resilience function improvements for generalized deployment.
  credits: |
    Music: Tyler Etters, Kyle Church, McNUG, helen_g, Dani Derks, Jano.987, DJ John Lovetron, postsolarpunk, license, Tony MF, Alex Mathiesen.
    Title: RGB
    Art: DJ Meisner
    Words: Cory Salveson

- title: DISSOLUTION
  project: DJ STUXNET
  released: 02025-04-05
  type: Mix
  format: Digital
  role: DJ
  label: Intertext
  mp3: true
  wav: false
  trackIds:
    - "Not Afraid by アンジェラ (Vo.Alisa)"
    - "In The Air Tonight by Phil Colins"
    - "Straight Up by Paula Abdul"
    - "Give It All - Redux by The Amity Affliction"
    - "Dead End by In Flames"
    - "Pete Standing Alone by Boards of Canada"
    - "Alberto Balsalm by Aphex Twin"
    - "Decode by Paramore"
    - "The World Engulfed In Flames by Darkest Hour"
    - "This Is What It Feels Like by BANKS"
    - "2•GOLDEN DAWN•7 by Die Antwoord"
    - "Goodbye by Ulrich Schnauss"
    - "Hiru no Tsuki by Akino Arai"
  tracks:
    - number: 1
      title: DISSOLUTION
      length: 00:61:44
  streams:
    - platform: SoundCloud
      url: https://soundcloud.com/tyleretters/dissolution
    - platform: Untitled Stream
      url: https://untitled.stream/library/project/mpGIRo9hVgxSDggTjeNm8
  notes: For Sage.
  credits: STUXNET is Tyler Etters.

- title: ELEGIES FOR ASHLEY
  project: DJ STUXNET
  released: 02025-03-23
  type: Mix
  format: Digital
  role: DJ
  label: Intertext
  mp3: true
  wav: false
  trackIds:
    - "Lips Like Morphine by Kill Hannah"
    - "Razorblade Kiss by HIM"
    - "Raindrops + Sunshowers by The Smashing Pumpkins"
    - "The Hollow by A Perfect Circle"
    - "Alibi by BANKS"
    - "Sell Your Soul by Hollywood Undead"
    - "sLeepwALkeR by The Pretty Wild"
    - "Circle With Me by Spiritbox"
    - "17 Crimes by AFI"
    - "Going Under by Evanescence"
    - "Chasing Ghosts by The Amity Affliction"
    - "Heaven's a Lie by Lacuna Coil"
    - "Another Love by bvdub"
  tracks:
    - number: 1
      title: ELEGIES FOR ASHLEY
      length: 00:58:16
  streams:
    - platform: SoundCloud
      url: https://soundcloud.com/tyleretters/elegies-for-ashley
    - platform: Untitled Stream
      url: https://untitled.stream/library/project/551pFVchyvDHMZmdlCjMg
  notes: https://nor.the-rn.info/rm_ation/2025/03/23/elegies-for-ashley/
  credits: STUXNET is Tyler Etters.

- title: "baysinski event ii: world war iii"
  slug: baysinski-event-ii-world-war-iii
  project: DJ STUXNET
  released: 02025-02-12
  type: Mix
  format: Digital
  role: DJ
  label: Intertext
  mp3: true
  wav: true
  notes: |
    we are a special interest group. we have special interests. william basinski. and cathal. and are all geographically aligned with SF except me. and cathal. we are very normal.
  trackIds:
    - "Red Horizon by Fit For An Autoposy"
    - "Blue Dream by Dance Gavin Dance"
    - "KIssing Cousins by Closure in Moscow"
    - "Stronger by Britteny Spears"
    - "Last Resort by Papa Roach"
    - "It's My Life by Bon Jovi"
    - "Runnin' with the Devil by Van Halen"
    - "limerence by Nakedleisure, gwendear"
    - "09-15-00 by Godspeed You! Black Emperor"
    - "Hearing Things by Shoi Miyazawa"
    - "Ritual by 1000 Eyes, Tom Schley"
    - "Roundtable Hold by Tsukasa Saitoh"
    - "The Sky Is Black (OG YouTube Rip) by Telefon Tel Aviv"
  tracks:
    - number: 1
      title: "baysinski event ii: world war iii"
      slug: baysinski-event-ii-world-war-iii
      length: 00:58:35
  streams:
    - platform: SoundCloud
      url: https://soundcloud.com/tyleretters/dj-stuxnet-baysinski-event-ii-world-war-iii
    - platform: Untitled Stream
      url: https://untitled.stream/library/project/dLJcDbarlGPJQM1YmQ06Q
  credits: STUXNET is Tyler Etters.

- title: FOXFIRES / KYBALION
  project: STUXNET
  released: 02025-02-10
  type: EP
  format: Digital
  role: Operator
  label: Intertext
  mp3: false
  wav: false
  tracks:
    - number: 1
      title: FOXFIRES / KYBALION
      length: 00:26:53
  streams:
    - platform: Amazon
      url: https://www.amazon.com/dp/B0DWWZ3JRF
    - platform: Apple Music
      url: https://music.apple.com/us/album/foxfires-kybalion-ep/1796608668
    - platform: Bandcamp
      url: https://stuxnet.bandcamp.com/album/foxfires-kybalion
    - platform: Deezer
      url: https://www.deezer.com/us/album/711748271
    - platform: Spotify
      url: https://open.spotify.com/album/7mh0Vr0dbBsndXQEHMPrmq
    - platform: YouTube
      url: https://www.youtube.com/watch?v=wr4PfhW2S3g
  notes: |
    “The inferno of the living is not something that will be; if there is one, it is what is already here, the inferno where we live every day, that we form by being together. There are two ways to escape suffering it. The first is easy for many: accept the inferno and become such a part of it that you can no longer see it. The second is risky and demands constant vigilance and apprehension: seek and learn to recognize who and what, in the midst of inferno, are not inferno, then make them endure, give them space.”
    ― Italo Calvino, Invisible Cities
  credits: |
    STUXNET is Tyler Etters.
    Written while my city burned.

- title: KOWLOON WALLED CITY GIGA MIX
  project: DJ STUXNET
  released: 02024-12-21
  type: Mix
  format: Digital
  role: DJ
  label: Intertext
  mp3: true
  wav: true
  tracks:
    - number: 1
      title: "𝔡𝔞𝔲𝔫𝔱𝔩𝔢𝔰𝔰 𝔠𝔥𝔬𝔦𝔯"
      slug: dauntless-choir
      length: 00:58:19
      trackIds:
        - "Ghosts of Garden City by Caspian"
        - "Hymn of the Cherubim by USSR Ministry of Culture Chamber Choir"
        - "Plateau by Eden Aurelius"
        - "After Hours by Unreal"
        - "Ritual by 1000 Eyes, Tom Schley"
        - "Drove Through Ghosts to Get here by 65daysofstatic"
        - "You Will Be Mist by úna blue, Nailbeds"
        - "Come to Berlin (Telefon Tel Aviv Remix) by Barbara Morgenstern"
        - "I'll Be Loving You by Collage"
        - "Serenity by Capcom Sound Team"
        - "rise by Origa"
        - "Pale Light by Skeler"
        - "Let It Go by araabMUZIK"
        - "Kowloon City by Bauernfiend"
    - number: 2
      title: "𝓀𝒶𝓉𝒶𝒷𝒶𝓉𝒾𝒸 𝓌𝒾𝓃𝒹"
      slug: katabatic-wind
      length: 00:59:59
      trackIds:
        - "Deep Impact by Chris Veron"
        - "Nothing Stops Detroit by Robert Hood"
        - "On The Edge of Adhesion by Voiski, Hadone"
        - "The Age of Love by Charlotte de Witte, Enrico Sangiuliano"
        - "Think Twice by Claude Young, Takashi Nakajima, Different Worlds"
        - "Dash by Subjoi"
        - "Librarion by Substance, Vainqueur"
        - "Dice by Lemna"
        - "Hard to Say by DjRUM"
    - number: 3
      title: "𝙵𝚘𝚐 𝚆𝚊𝚕𝚕𝚜"
      slug: fog-walls
      length: 00:59:52
      trackIds:
        - "Reminisence by Monolake"
        - "Taken Effect by Shed"
        - "Monolith by Benjamin Damage"
        - "Votive by Dorisburg"
        - "In Cadence by Cameo Blush"
        - "Lil DB Tool by Skee Mask"
        - "Ready Steady Go Extended Mix by Paul Oakenfold, Asher D"
        - "First Plate 3 by Shinichi Atobe"
        - "Déjà Vu, in Reverse by Dedekind Cut"
        - "Escape Radio Edit by Airbase"
        - "The Sound of Goodbye Above & Beyond US Edit by Armin van Buuren, Perpetuous Dreamer, Above & Beyond"
        - "Inversion by Basic Channel"
    - number: 4
      title: "broken promise (for timm)"
      slug: broken-promise-for-timm
      length: 00:59:06
      trackIds:
        - "Elektrik by The Flying Steps"
        - "Stem / Long Stem / Transmission 2 by DJ Shadow"
        - "Carbon Date Piano by Ernst Reijseger"
        - "Autobahn by Kraftwerk"
        - "lines community stream 200509 by sunbeamer"
        - "Ending Days by LAKE R▲DIO, Sioum, Connectedness Locus, Lunar Day"
        - "Who Told You This Room Exists? by Belong"
        - "Broken Promise [Dreams] by Joe Boyd Vigil"
        - "失落之地 by ESIAFI 1"
    - number: 5
      title: "THE CONTINUANCE"
      slug: the-continuance
      length: 01:00:00
      trackIds:
        - "Castles in the Sky Radio Mix by Ian Van Dahl, Marsha"
        - "Blue Monday by HEALTH"
        - "It Feels So Good by Sonique"
        - "Only Girl by Rihanna"
        - "This Is Always by 3KZ"
        - "Access Extortion by Tymotica, Stützpunkt"
        - "Oxygene IV by The Synthesizer"
        - "Calitana's Handshake by Ital Tek"
        - "Children by Robert Miles"
        - "We Control by Lilly Palmer"
        - "The Wolf by Rubidium"
        - "Herabgehen Long Version by Morten B."
        - "Algorithmic Realtiy by LDS"
    - number: 6
      title: "トランス"
      slug: トランス
      length: 00:59:29
      trackIds:
        - "Cruel Summer by Ace of Base"
        - "Summer Jam by Underdog Project"
        - "Damaged by Plummet"
        - "As the Rush Comes by Motorcycle"
        - "Turn the Tide by Sylver"
        - "My Head & My Heart by Ava Max"
        - "All Around the World by ATC"
        - "Herabgehen Long Version by Morten B."
        - "Archetype Edit by Plasmatique"
        - "Violet by Ital Tek"
        - "Can't Get You Out My Head by Kylie Minogue"
        - "I See Right Through to You by DJ Encore, Engelina"
        - "The Sound of Goodbye by Perpetuous Dreamer, Elles De Graf"
        - "Above Broken Hearts by bvdub"
        - "Blinded by Hannah"
        - "Sweet Dreams by La Bouche"
        - "Too Much of Heaven by Eiffel 65"
    - number: 7
      title: "Elegies for Anja"
      slug: elegies-for-anja
      length: 01:01:30
      trackIds:
        - "SOLSTICE by dreamstation, Nedaj"
        - "Innocente (Falling in Love) by Delerium, Lost Witness, Leigh Nash"
        - "Groove For Fantasy by Dancing Fantasy"
        - "Moments In Love by The Art of Noise"
        - "Scar by Dance with the Dead"
        - "Cry Out For A Hero by Beast In Black"
        - "Hotel Midi by Ronald Jenkees"
        - "Archetype Edit by Plasmatique"
        - "Better Off Alone by Purity Ring"
        - "La Résistance by Heaven Shall Burn"
        - "MDMA by Emmure"
        - "Emotion is Dead Pt. 2 by The Juliana Theory"
    - number: 8
      title: "ЯΣBЯӨΛDCΛƧƬ [1/2] 𝘍𝘭𝘢𝘴𝘩 𝘊𝘳𝘢𝘴𝘩 𝘗𝘪𝘳𝘢𝘵𝘦 𝘙𝘢𝘥𝘪𝘰 𝘔𝘪𝘹 + 𝘵𝘦𝘩𝘯"
      slug: rebroadcast-1-of-2-flash-crash-pirate-radio-mix-tehn
      length: 00:58:39
      trackIds:
        - "Be My Lover by La Bouche"
        - "3 a.m. Eternal by KLF"
        - "Halcyon And On And On by Orbital"
        - "Wish (Komm Zu Mir) by Thomas D, Franka Potente"
        - "Headhunter V1.0 by Front 242"
        - "Climbing Up the Walls by Radiohead"
        - "Strings of Life by Derrick May"
        - "Sonic 2 Chemical Plant Zone (Dance Remix) by JemenJ"
        - "Innocente (Falling in Love) by Delerium, Lost Witness, Leigh Nash"
        - "Beauty by bvdub"
        - "Kasvetli Kutlama by She Past Away"
    - number: 9
      title: "ЯΣBЯӨΛDCΛƧƬ [2/2] 𝘍𝘭𝘢𝘴𝘩 𝘊𝘳𝘢𝘴𝘩 𝘗𝘪𝘳𝘢𝘵𝘦 𝘙𝘢𝘥𝘪𝘰 𝘔𝘪𝘹 + 𝘵𝘦𝘩𝘯"
      slug: rebroadcast-2-of-2-flash-crash-pirate-radio-mix-tehn
      length: 00:59:32
      trackIds:
        - "What is Love by Haddaway"
        - "Disorder by Chiasm"
        - "Pearl's Girl by Underworld"
        - "Paradise Circus by Massive Attack, Burial"
        - "Discipline (live) by Throbbing Gristle"
        - "Only a Shadow by The Cleaners from Venus"
        - "One Love by The Prodigy"
        - "Electro Trance 7 Days by soundguru"
        - "I Woke Up and the Storm Was Over by Tropic of Cancer"
        - "Aquatic Ambience by Dave Wise"
        - "One More Time by Aliceffekt"
    - number: 10
      title: "Kowloon City: Ｌｅｙｌｉｎｅ"
      slug: kowloon-city-leyline
      length: 00:58:49
      trackIds:
        - "Zucht 2 by Machinefabriek"
        - "Currents of Electrostaty by Tim Hecker"
        - "Rhubarb orc. 19.43 Rev by Aphex Twin"
        - "Temple Halls by Mountain Realm"
        - "Rough Sleeper by Burial"
        - "Aurora Terminalis (excerpt 1) by William Basinski, Richard Chartier"
        - "Swarming by Efterlkang"
        - "By the Wall by Thomas Dvorak"
        - "Jesus' Blood Never Failed Me Yet by Gavin Bryars"
        - "North Port (remnant) by Sanchez is driven by demons"
        - "r cazt by Autechre"
  streams:
    - platform: Direct
      url: https://stuxnet.me
    - platform: Untitled Stream
      url: https://untitled.stream/library/project/5Dni4VMX9Qyt1ZvokMYqq
  notes: May we rave atop burning oil derricks... and sink into the sea.
  credits: STUXNET is Tyler Etters.

- title: List of Stars in Cancer
  project: They Became What They Beheld
  released: 02024-07-10
  type: LP
  format: Digital
  role: Principal Musician
  label: Intertext
  mp3: true
  wav: false
  tracks:
    - number: 1
      title: Beta Cancri
      length: 00:00:36
    - number: 2
      title: Delta Cancri
      length: 00:00:36
    - number: 3
      title: Iota Cancri A
      length: 00:00:36
    - number: 4
      title: Alpha Cancri
      length: 00:00:36
    - number: 5
      title: Gamma Cancri
      length: 00:00:36
    - number: 6
      title: Zeta Cancri
      length: 00:00:36
    - number: 7
      title: HD 71115
      length: 00:00:36
    - number: 8
      title: 8 Cancri
      length: 00:00:36
    - number: 9
      title: Chi Cancri
      length: 00:00:36
    - number: 10
      title: Xi Cancri
      length: 00:00:36
    - number: 11
      title: Omicron1 Cancri
      length: 00:00:36
    - number: 12
      title: Rho2 Cancri
      length: 00:00:36
    - number: 13
      title: Sigma3 Cancri
      length: 00:00:36
    - number: 14
      title: Kappa Cancri
      length: 00:00:36
    - number: 15
      title: Mu2 Cancri
      length: 00:00:36
    - number: 16
      title: Theta Cancri
      length: 00:00:36
    - number: 17
      title: Eta Cancri
      length: 00:00:36
    - number: 18
      title: 82 Cancri
      length: 00:00:36
    - number: 19
      title: 57 Cancri
      length: 00:00:36
    - number: 20
      title: Tau Cancri
      length: 00:00:36
    - number: 21
      title: 60 Cancri
      length: 00:00:36
    - number: 22
      title: Sigma2 Cancri
      length: 00:00:36
    - number: 23
      title: Nu Cancri
      length: 00:00:36
    - number: 24
      title: 27 Cancri
      length: 00:00:36
    - number: 25
      title: Phi1 Cancri
      length: 00:00:36
    - number: 26
      title: 3 Cancri
      length: 00:00:36
    - number: 27
      title: 15 Cancri
      length: 00:00:36
    - number: 28
      title: 45 Cancri
      length: 00:00:36
    - number: 29
      title: 49 Cancri
      length: 00:00:36
    - number: 30
      title: Sigma1 Cancri
      length: 00:00:36
    - number: 31
      title: Omicron2 Cancri
      length: 00:00:36
    - number: 32
      title: Upsilon1 Cancri
      length: 00:00:36
    - number: 33
      title: Psi2 Cancri
      length: 00:00:36
    - number: 34
      title: 1 Cancri
      length: 00:00:36
    - number: 35
      title: HD 69994
      length: 00:00:36
    - number: 36
      title: HD 77445
      length: 00:00:36
    - number: 37
      title: Omega1 Cancri
      length: 00:00:36
    - number: 38
      title: 50 Cancri
      length: 00:00:36
    - number: 39
      title: 66 Cancri
      length: 00:00:36
    - number: 40
      title: HD 72945
      length: 00:00:36
    - number: 41
      title: Lambda Cancri
      length: 00:00:36
    - number: 42
      title: 36 Cancri
      length: 00:00:36
    - number: 43
      title: 20 Cancri
      length: 00:00:36
    - number: 44
      title: 29 Cancri
      length: 00:00:36
    - number: 45
      title: 75 Cancri
      length: 00:00:36
    - number: 46
      title: 1 LMi
      length: 00:00:36
    - number: 47
      title: 55 Cancri
      length: 00:00:36
    - number: 48
      title: Mu1 Cancri
      length: 00:00:36
    - number: 49
      title: 5 Cancri
      length: 00:00:36
    - number: 50
      title: HD 68461
      length: 00:00:36
    - number: 51
      title: HD 72617
      length: 00:00:36
    - number: 52
      title: 79 Cancri
      length: 00:00:36
    - number: 53
      title: RS Cancri
      length: 00:00:36
    - number: 54
      title: HD 65257
      length: 00:00:36
    - number: 55
      title: HD 65522
      length: 00:00:36
    - number: 56
      title: 28 Cancri
      length: 00:00:36
    - number: 57
      title: 67 Cancri
      length: 00:00:36
    - number: 58
      title: HD 68099
      length: 00:00:36
    - number: 59
      title: 21 Cancri
      length: 00:00:36
    - number: 60
      title: 25 Cancri
      length: 00:00:36
    - number: 61
      title: 46 Cancri
      length: 00:00:36
    - number: 62
      title: Phi2 Cancri A
      length: 00:00:36
    - number: 63
      title: HD 80546
      length: 00:00:36
    - number: 64
      title: HD 76508
      length: 00:00:36
    - number: 65
      title: Phi2 Cancri B
      length: 00:00:36
    - number: 66
      title: HD 76629
      length: 00:00:36
    - number: 67
      title: HD 66552
      length: 00:00:36
    - number: 68
      title: HD 66684
      length: 00:00:36
    - number: 69
      title: 4 LMi
      length: 00:00:36
    - number: 70
      title: HD 67959
      length: 00:00:36
    - number: 71
      title: 12 Cancri
      length: 00:00:36
    - number: 72
      title: 53 Cancri
      length: 00:00:36
    - number: 73
      title: 61 Cancri
      length: 00:00:36
    - number: 74
      title: HD 72505
      length: 00:00:36
    - number: 75
      title: HD 69478
      length: 00:00:36
    - number: 76
      title: Epsilon Cancri
      length: 00:00:36
    - number: 77
      title: HD 65735
      length: 00:00:36
    - number: 78
      title: FZ Cancri
      length: 00:00:36
    - number: 79
      title: 4 Cancri
      length: 00:00:36
    - number: 80
      title: HD 72943
      length: 00:00:36
    - number: 81
      title: HD 65757
      length: 00:00:36
    - number: 82
      title: Upsilon2 Cancri
      length: 00:00:36
    - number: 83
      title: 54 Cancri
      length: 00:00:36
    - number: 84
      title: HD 68776
      length: 00:00:36
    - number: 85
      title: 39 Cancri
      length: 00:00:36
    - number: 86
      title: HD 78175
      length: 00:00:36
    - number: 87
      title: X Cancri
      length: 00:00:36
    - number: 88
      title: HD 80064
      length: 00:00:36
    - number: 89
      title: HD 75469
      length: 00:00:36
    - number: 90
      title: HD 69629
      length: 00:00:36
    - number: 91
      title: HD 73710
      length: 00:00:36
    - number: 92
      title: Psi1 Cancri
      length: 00:00:36
    - number: 93
      title: HD 73599
      length: 00:00:36
    - number: 94
      title: HD 77660
      length: 00:00:36
    - number: 95
      title: HD 67542
      length: 00:00:36
    - number: 96
      title: HD 68703
      length: 00:00:36
    - number: 97
      title: HD 78234
      length: 00:00:36
    - number: 98
      title: 34 Cancri
      length: 00:00:36
    - number: 99
      title: HD 78661
      length: 00:00:36
    - number: 100
      title: HD 79248
      length: 00:00:36
    - number: 101
      title: HD 76908
      length: 00:00:36
    - number: 102
      title: 81 Cancri
      length: 00:00:36
    - number: 103
      title: HD 72115
      length: 00:00:36
    - number: 104
      title: 24 Cancri A
      length: 00:00:36
    - number: 105
      title: 37 Cancri
      length: 00:00:36
    - number: 106
      title: 35 Cancri
      length: 00:00:36
    - number: 107
      title: Iota Cancri B
      length: 00:00:36
    - number: 108
      title: 40 Cancri
      length: 00:00:36
    - number: 109
      title: 83 Cancri
      length: 00:00:36
    - number: 110
      title: 38 Cancri
      length: 00:00:36
    - number: 111
      title: 70 Cancri
      length: 00:00:36
    - number: 112
      title: 2 LMi
      length: 00:00:36
    - number: 113
      title: 3 LMi
      length: 00:00:36
    - number: 114
      title: EP Cancri
      length: 00:00:36
    - number: 115
      title: 42 Cancri
      length: 00:00:36
    - number: 116
      title: 7 Cancri
      length: 00:00:36
    - number: 117
      title: 80 Cancri
      length: 00:00:36
    - number: 118
      title: 11 Cancri
      length: 00:00:36
    - number: 119
      title: 78 Cancri
      length: 00:00:36
    - number: 120
      title: VZ Cancri
      length: 00:00:36
    - number: 121
      title: ADS 7284
      length: 00:00:36
    - number: 122
      title: 52 Cancri
      length: 00:00:36
    - number: 123
      title: 68 Cancri
      length: 00:00:36
    - number: 124
      title: V Cancri
      length: 00:00:36
    - number: 125
      title: T Cancri
      length: 00:00:36
    - number: 126
      title: BU Cancri
      length: 00:00:36
    - number: 127
      title: BN Cancri
      length: 00:00:36
    - number: 128
      title: HD 72490
      length: 00:00:36
    - number: 129
      title: 24 Cancri B
      length: 00:00:36
    - number: 130
      title: BY Cancri
      length: 00:00:36
    - number: 131
      title: HD 74028
      length: 00:00:36
    - number: 132
      title: 44 Cancri
      length: 00:00:36
    - number: 133
      title: HD 79498
      length: 00:00:36
    - number: 134
      title: 71 Cancri
      length: 00:00:36
    - number: 135
      title: CY Cancri
      length: 00:00:36
    - number: 136
      title: BQ Cancri
      length: 00:00:36
    - number: 137
      title: HD 73534
      length: 00:00:36
    - number: 138
      title: BR Cancri
      length: 00:00:36
    - number: 139
      title: S Cancri
      length: 00:00:36
    - number: 140
      title: BW Cancri
      length: 00:00:36
    - number: 141
      title: TW Cancri
      length: 00:00:36
    - number: 142
      title: U Cancri
      length: 00:00:36
    - number: 143
      title: BS Cancri
      length: 00:00:36
    - number: 144
      title: R Cancri
      length: 00:00:36
    - number: 145
      title: BV Cancri
      length: 00:00:36
    - number: 146
      title: RZ Cancri
      length: 00:00:36
    - number: 147
      title: HD 74721
      length: 00:00:36
    - number: 148
      title: HD 77065
      length: 00:00:36
    - number: 149
      title: UU Cancri
      length: 00:00:36
    - number: 150
      title: HIP 41378
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    - number: 151
      title: RX Cancri
      length: 00:00:36
    - number: 152
      title: HD 80653
      length: 00:00:36
    - number: 153
      title: WY Cancri
      length: 00:00:36
    - number: 154
      title: TX Cancri
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    - number: 155
      title: RU Cancri
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    - number: 156
      title: TU Cancri
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      title: SY Cancri
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    - number: 158
      title: EX Cancri
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    - number: 159
      title: TT Cancri
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      title: ES Cancri
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    - number: 161
      title: HAT-P-31
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    - number: 162
      title: CU Cancri
      length: 00:00:36
    - number: 163
      title: WASP-65
      length: 00:00:36
    - number: 164
      title: SS Cancri
      length: 00:00:36
    - number: 165
      title: EW Cancri
      length: 00:00:36
    - number: 166
      title: HV Cancri
      length: 00:00:36
    - number: 167
      title: EV Cancri
      length: 00:00:36
    - number: 168
      title: AD Cancri
      length: 00:00:36
    - number: 169
      title: Gliese 299
      length: 00:00:36
    - number: 170
      title: HAT-P-43
      length: 00:00:36
    - number: 171
      title: AH Cancri
      length: 00:00:36
    - number: 172
      title: HU Cancri
      length: 00:00:36
    - number: 173
      title: AC Cancri
      length: 00:00:36
    - number: 174
      title: AC Cancri G 9-38
      length: 00:00:36
    - number: 175
      title: YBP 1194
      length: 00:00:36
    - number: 176
      title: DX Cancri
      length: 00:00:36
    - number: 177
      title: AT Cancri
      length: 00:00:36
    - number: 178
      title: LHS 2090
      length: 00:00:36
    - number: 179
      title: YZ Cancri
      length: 00:00:36
    - number: 180
      title: EG Cancri
      length: 00:00:36
    - number: 181
      title: DW Cancri
      length: 00:00:36
    - number: 182
      title: AZ Cancri
      length: 00:00:36
    - number: 183
      title: GY Cancri
      length: 00:00:36
    - number: 184
      title: AR Cancri
      length: 00:00:36
    - number: 185
      title: RX J0806.3+1527
      length: 00:00:36
    - number: 186
      title: AK Cancri
      length: 00:00:36
    - number: 187
      title: CC Cancri
      length: 00:00:36
    - number: 188
      title: PSR B0823+26
      length: 00:00:36
  streams:
    - platform: Amazon
      url: https://www.amazon.com/music/player/albums/B0D8V39RMN
    - platform: Apple Music
      url: https://music.apple.com/us/album/list-of-stars-in-cancer-stream-version/1755897818
    - platform: Bandcamp
      url: https://theybecamewhattheybeheld.bandcamp.com/album/list-of-stars-in-cancer
    - platform: Deezer
      url: https://www.deezer.com/us/album/611710552
    - platform: Spotify
      url: https://open.spotify.com/album/5gSOw9RxtadvemdqcV7YV2
    - platform: YouTube
      url: https://www.youtube.com/watch?v=mx_rRm2eaYE&list=OLAK5uy_nl3yolGwKAHk2b9epn1NE96rtsWKbv6OM
  notes: |
    An infinite salve. The 188 charted stars are presented in order of magnitude descending. Listen on infinite shuffle because Cancer looks very different from elsewhere in the Milky Way.
  credits: |
    For mom.
    Audio sourced from my childhood Kouvalias, the Land of Shadow, and Respighi's Feste Romane performed by Eugene Ormandy, Philadelphia Orchestra, 1946.
    Photograph from a trip with my mother to Tijuana, Mexico, 2022.
    Engineered by Tyler Etters, 2004 — 2024.

- title: Distance
  project: They Became What They Beheld
  released: 02024-06-16
  type: Single
  format: Digital
  role: Principal Musician
  label: Intertext
  mp3: true
  wav: false
  tracks:
    - number: 1
      title: Distance
      length: 00:19:28
  streams:
    - platform: Amazon
      url: https://amazon.com/music/player/albums/B0D7QVWXFC
    - platform: Apple Music
      url: https://music.apple.com/us/album/distance-ep/1753530892
    - platform: Bandcamp
      url: https://theybecamewhattheybeheld.bandcamp.com/album/distance
    - platform: Deezer
      url: https://www.deezer.com/us/album/605603872
    - platform: Spotify
      url: https://open.spotify.com/album/6kZHS99KJvGJCZR5lhLCkz
    - platform: YouTube
      url: https://www.youtube.com/watch?v=3EX4qPIVT1o&list=OLAK5uy_nX4ypSQVt9eBRsVBQ0gnV9eYQrplE-E7A
  notes: |
    To honor the memory of someone you loved and lost is by becoming great and doing well and good in their honor/memory - live as you would know them to be proud of.
    — MTM, 2024
  credits: |
    Thanks to dad, Timm, Biff, Papa, Pat, Bud, Don, Harold, both Gregs, Ed, Pat, John, Jack, Joe, Eric, Russ, Mike, Michael, Phil, Gary, Paul, Brian, Larry, Glenn, Wayne and every other man who took me in as one of his own seed, generally looked out for me, or made certain to be cleaning his guns the night his daughter brought me home.
    Photograph of Rawson Bridge Rd., Oakwood Hills, 2010.
    Engineered by Tyler Etters, 2024.

- title: Radio Free Albemuth
  project: They Became What They Beheld
  released: 02024-05-26
  type: LP
  format: Digital
  role: Principal Musician
  label: Intertext
  mp3: true
  wav: false
  tracks:
    - number: 1
      title: Radio Free Albemuth
      length: 00:01:34
    - number: 1
      title: Exegesis
      length: 00:12:15
    - number: 1
      title: Ichthys
      length: 00:02:31
    - number: 4
      title: Vast Active Living Intelligence System
      length: 00:31:18
  streams:
    - platform: Amazon
      url: https://www.amazon.com/music/player/albums/B0D582L48R
    - platform: Apple Music
      url: https://music.apple.com/us/album/radio-free-albemuth/1748745705
    - platform: Bandcamp
      url: https://theybecamewhattheybeheld.bandcamp.com/album/radio-free-albemuth
    - platform: Deezer
      url: https://www.deezer.com/us/artist/263724261
    - platform: Spotify
      url: https://open.spotify.com/album/2Omhz8B5g1VbSfqSpUkZOt
    - platform: YouTube
      url: https://www.youtube.com/watch?v=ZECpF-IEDUw&list=OLAK5uy_nGDIZERWQdqVM4FwqC_5L8jJmAuLzvgfk
  notes: |
    On February 20, 1974, while recovering from the effects of sodium pentothal administered for the extraction of an impacted wisdom tooth, [Philip K.] Dick received a home delivery of Darvon from a young woman. When he opened the door, he was struck by the dark-haired girl's beauty, and was especially drawn to her golden necklace. He asked her about its curious fish-shaped design. As she was leaving, she replied: "This is a sign used by the early Christians." Dick called the symbol the "vesicle pisces". This name seems to have been based on his conflation of two related symbols, the Christian ichthys symbol (two intersecting arcs delineating a fish in profile), which the woman was wearing, and the vesica piscis.
    Dick recounted that as the sun glinted off the gold pendant, the reflection caused the generation of a "pink beam" of light that mesmerized him. He came to believe the beam imparted wisdom and clairvoyance, and also believed it to be intelligent. On one occasion, he was startled by a separate recurrence of the pink beam, which imparted the information that his infant son was ill. The Dicks rushed the child to the hospital, where the illness was confirmed by professional diagnosis.
    — Wikipedia, 2024
    The seven movements of this symphonic suite need to be heard in their entirety; it is a mistake to isolate movements from the whole, for the work owes much to the strongly contrasted moods suggested by the character of each planet.
    — The Decca Record Company, Ltd., 1962
  credits: |
    Thanks to ... a ... tape deck ... original ... everything stalled out ... changed ... that was closer to ... my dad ... I was a kid ... this strange ... audience ... Memorial ... landfill ... library ...
    Audio sourced from Holst's The Planets performed by Herbert Von Karajan, Vienna Philharmonic, 1962.
    Video sourced from The Eames Office's Powers of Ten, 1968 — 1977.
    Track titles sourced from Philip K. Dick's VALIS and surrounding mythos, circa 1976 — 1985.
    Photograph from the Skylark bar in Pilsen, 2017.
    Engineered by Tyler Etters, 2024.

- title: Rocket Summer
  project: They Became What They Beheld
  released: 02024-04-28
  type: Single
  format: Digital
  role: Principal Musician
  label: Intertext
  mp3: true
  wav: false
  tracks:
    - number: 1
      title: Rocket Summer
      length: 00:30:42
  streams:
    - platform: Amazon
      url: https://www.amazon.com/music/player/albums/B0D2YDHM73
    - platform: Apple Music
      url: https://music.apple.com/us/album/rocket-summer/1743863550
    - platform: Bandcamp
      url: https://theybecamewhattheybeheld.bandcamp.com/album/rocket-summer
    - platform: Deezer
      url: https://www.deezer.com/us/album/580743841
    - platform: Spotify
      url: https://open.spotify.com/album/0WTccZ6LBUKA1KYCmcxmHT
    - platform: YouTube
      url: https://www.youtube.com/watch?v=nSTuod8i3oA&list=OLAK5uy_kYF1JbWuZ2J1APNNm_0f0yNF2WLbbtVQ4
  notes: |
    One minute it was Ohio winter, with doors closed, windows locked, the panes blind with frost, icicles fringing every roof, children skiing on slopes, housewives lumbering like great black bears in their furs along the icy streets.
    And then a long wave of warmth crossed the small town. A flooding sea of hot air; it seemed as if someone had left a bakery door open. The heat pulsed among the cottages and bushes and children. The icicles dropped, shattering, to melt. The doors flew open. The windows flew up. The children worked off their wool clothes. The housewives shed their bear disguises. The snow dissolved and showed last summer's ancient green lawns.
    *Rocket summer.* The words passed among the people in the open, airing houses. *Rocket summer.* The warm desert air changing the frost patterns on the windows, erasing the art work. The skis and sleds suddenly useless. The snow, falling from the cold sky upon the town, turned to a hot rain before it touched the ground.
    *Rocket summer.* People leaned from their dripping porches and watched the reddening sky.
    The rocket lay on the launching field, blowing out pink clouds of fire and oven heat. The rocket stood in the cold winter morning, making summer with every breath of its mighty exhausts. The rocket made climates, and summer lay for a brief moment upon the land ...
    — Ray Bradbury, 1950
  credits: |
    Thanks to ... a ... tape deck ... original airplane hanger ... everything stalled out for so long ... changed ... else did, that was closer to now ... my dad ... when I was a kid ... Sage ... close ... Emily for finding this strange book ... her audience ... Memorial Library for ... to Hippo ... from a landfill ... library ...
    Audio sourced from Giovanni Gabrieli's Sanctus: VI. Hosanna in excelsis broadcast by KUSC 91.5 and recorded by iPhone, 2020.
    Photograph & video loops of an actual space rocket launch over my apartment, 2024.
    Engineered by Tyler Etters, 2020 — 2024.

- title: Respect for the Medium
  project: They Became What They Beheld
  released: 02024-04-22
  type: Single
  format: Digital
  role: Principal Musician
  label: Intertext
  mp3: true
  wav: false
  tracks:
    - number: 1
      title: Respect for the Medium
      length: 00:22:49
  streams:
    - platform: Amazon
      url: https://www.amazon.com/music/player/albums/B0D2R7XXG2
    - platform: Apple Music
      url: https://music.apple.com/us/album/respect-for-the-medium-ep/1743492407
    - platform: Bandcamp
      url: https://theybecamewhattheybeheld.bandcamp.com/album/respect-for-the-medium
    - platform: Deezer
      url: https://www.deezer.com/us/album/579132271
    - platform: Spotify
      url: https://open.spotify.com/album/053SZ0lB7HETAPog1o0xeQ
    - platform: YouTube
      url: https://www.youtube.com/watch?v=yUp-YjxL6AU&list=OLAK5uy_nckMbTHgRNV4JC2NQAdyJfyeKje0Y2Eds
  notes: |
    The fundamental audio loop is more Gabrieli.
    The DV tape loop is from Fireflies & Fields, a deeply personal series shot straight out of camera. Summer, 2009. Just after sunset. "Night Mode" enabled camera on a tripod facing south-south-east. Fairfield Road a bit to my back and right. A solid two-minute hike across the prairie to touch the first oaks in the shot. Macro lens on. Optical zoom maxed. Digital zoom zero. The key: auto-focus enabled to force the beacons into a duel until dawn. The loop you see employs neither dissolve nor crossfade. It is the same hard cut over and over until the song ends. After originally releasing a zoomed and cropped version at 1920x1080, I have decided to delete and repost at 720x480. Once you see the Taraxacum mote ascending you will never unsee it.
    The artwork is also from Fireflies & Fields, also straight out of camera.
    These sorts of things are important to me.
    Respect for the medium.
  credits: |
    Thanks to ... who sold me a ... tape deck so I could not continue this ... original tape deck ... airplane hanger ... the pandemic and everything stalled out for so long ... of the incident ... then ... project changed ... else did, that was closer to ... different now. Thanks to my dad for showing... when I was a kid. Thanks to Sage for ... two close friends who talked ... Thanks to Emily for finding this strange book ... her audience of one. Thanks to the Adriance Memorial Library for ... to Hippo Books who succeeded in diverting it from a landfill ... library sustainability and ... global problem ...
    About text, icon, and name sourced from They Became What They Beheld written by Edmund Snow Carpenter, photographed by Ken Heyman, designed by Hess and/or Antupit, 1970.
    Audio sourced from Giovanni Gabrieli's Sanctus: VI. Hosanna in excelsis broadcast by KUSC 91.5 and recorded by iPhone, 2020.
    Photographs from my trip to Petalying Jaya, Malaysia, 2017.
    Photographs & video loops from my personal series Fireflies & Fields, 2009.
    Engineered by Tyler Etters, 2009 — 2024.

- title: EP3
  project: They Became What They Beheld
  released: 02024-04-14
  type: EP
  format: Digital
  role: Principal Musician
  label: Intertext
  mp3: true
  wav: false
  tracks:
    - number: 1
      title: This changes things
      length: 00:11:07
    - number: 2
      title: Nothing is real anymore
      length: 00:11:07
  streams:
    - platform: Amazon
      url: https://www.amazon.com/music/player/albums/B0D8V3XPZT
    - platform: Apple Music
      url: https://music.apple.com/us/album/ep3-ep/1755926045
    - platform: Bandcamp
      url: https://theybecamewhattheybeheld.bandcamp.com/album/ep3
    - platform: Deezer
      url: https://www.deezer.com/us/album/611752672
    - platform: Spotify
      url: https://open.spotify.com/album/04oITCytM0DX8HSvqDYQ8f
    - platform: YouTube
      url: https://www.youtube.com/watch?v=Yy0PeHycft0&list=OLAK5uy_lkimFANLq9tP4Ji4rcM9OQDKXgu8s68F4
  notes: |
    But this is already the point of view required—given a change of perspective—for examining the primitive socius, the territorial machine for declining alliances and filiations. This machine is segmentary because, through its double apparatus of tribe and lineage, it cuts up segments of varying lengths: genealogical filiative units of major, minor, and minimal lineages, with their hierarchy, their respective chiefs, their elders who guard the stocks and organize marriages; territorial tribal units of primary, secondary, and tertiary sections, also having their dominant roles and their alliances. "The point of separation between the tribal sections becomes the point of divergence in the clan structure of the lineages associated with each section. For, as we have seen, clans and their lineages are not distinct corporate groups, but are embodied in local communities, through which they function structurally." The two systems intersect, each segment being associated with the flows and the chains, with the stocked flows and the passing flows, with selections from the flows and detachments from the chains (certain production projects are executed in the framework of the tribal system, others in the framework of the lineage system). The variability and relativity of the segments are responsible for all sorts of penetrations between the inalienable elements of filiation and the mobile elements of alliance. This is explained by the fact that the length of each segment—or even its existence as such—is determined only by its opposition to other segments in a series of interrelated stages. The segmentary machine mixes rivalries, conflicts, and ruptures throughout the variations of filiation and the fluctuations of alliance. The whole system evolves between two poles: that of fusion through opposition to other groups, and that of scission through the constant formation of new lineages aspiring to independence, with capitalization of alliances and filiation. From one pole to the other, all the misfirings and failures in a system that is constantly reborn of its own disharmonies. What does Jeanne Favret mean when she shows, along with other ethnologists, that "the persistence of a segmentary organization requires paradoxically that its mechanisms be ineffectual enough so that fear remains the motor of the whole"? And what is this fear? It would appear that social formations experienced a morbid and mournful foreboding of things to come, although what comes to them always comes from without, rushing in through their opening. Perhaps it is even for this reason that it arrives from without; they suffocate its inner potentiality, at the cost of the dysfunctions that constitute an integral part of the functioning of their system.
    — Deleuze & Guattari, 1972
  credits: |
    Thanks to the person who sold me a faulty tape deck so I could not continue this project as intended because the original tape deck was in an airplane hanger because of the pandemic and everything stalled out for so long on both sides of the incident and then the project changed — like everything else did, that was closer to then and things are different now. Thanks to my dad for showing me Dancing Fantasy when I was a kid. Thanks to Sage for being infinitely patient and compassionate with me during the pandemic. Thanks to my two close friends who talked with me on the phone at length today, you know who you are. Thanks to Emily for finding this strange book and making me her audience of one. Thanks to the Adriance Memorial Library for first stocking the book and later stamping it with DISCARD. Thanks to Hippo Books who succeeded in diverting it from a landfill and otherwise help to fund library sustainability and provide meaningful solutions to the global problem of illiteracy.
    About text, icon, and name sourced from They Became What They Beheld written by Edmund Snow Carpenter, photographed by Ken Heyman, designed by Hess and/or Antupit, 1970.
    Audio sourced from Giovanni Gabrieli's Sanctus: VI. Hosanna in excelsis broadcast by KUSC 91.5 and recorded by iPhone, 2020.
    Photographs from my trip to Petalying Jaya, Malaysia, 2017.
    Engineered by Tyler Etters, 2020 — 2024.

- title: IN DARKNESS RADIANT
  project: STUXNET
  released: 02023-12-22
  type: EP
  format: Digital
  role: Operator
  label: Intertext
  mp3: true
  wav: true
  tracks:
    - number: 1
      title: Tiresias
      length: 00:01:49
    - number: 2
      title: In Darkness Radiant
      length: 00:01:54
    - number: 3
      title: Temporary Autonomous Zone
      length: 00:04:16
    - number: 4
      title: Hell Money
      length: 00:01:58
    - number: 5
      title: Subsea Fiber Faults in the APAC Region
      length: 00:05:43
    - number: 6
      title: Safe Passage (Non-Functional)
      length: 00:02:51
  streams:
    - platform: Bandcamp
      url: https://stuxnet.bandcamp.com/album/in-darkness-radiant
    - platform: Apple Music
      url: https://music.apple.com/us/album/in-darkness-radiant-ep/1722729160
    - platform: Deezer
      url: https://www.deezer.com/us/album/526747692
    - platform: Spotify
      url: https://open.spotify.com/album/2nLz2jO4YCQO37NVm3rM3C?si=h84wEpl0Sv6hMm3PfpSGyA
    - platform: YouTube
      url: https://www.youtube.com/playlist?list=OLAK5uy_lAR4Al3G7YV6_kgEC39C9naC23z91fwPo
  notes: |
    After a harrowing border crossing out of the Special Economic Zone, Coyote lies low. His world is hardened, Metal Gear, long drag of cigarette, pushing limits of body to transport mind. Licking his wounds, drinking warm Modelo, watching cargo ships queue up for port, he contemplates getting out of the game for good.
    But when money runs out (like it always does) he's forced to accept an impossible gig: US/APAC. The cargo is a Tiresias figure, some aged clairvoyant who, having struck their staff at two copulating serpents, was then blinded, given the gift of prophecy (visions), and transformed into a woman for seven years.
    Who seeks a strange country by illegal means that can only place them perpetually outside while also inside? Coyote knows: someone who has a message... or someone who is one. What is the message now? What does Tiresias only know while blind and femme?
    Coyote's reference gear attempts to help his line of thought with encyclopedic minutiae: "Like with other oracles, how Tiresias obtained their information varied: sometimes, they would receive visions; other times they would listen for the songs of birds, or ask for a description of visions and pictures appearing within the smoke of burnt offerings or entrails, and so interpret them. Pliny the Elder credits Tiresias with the invention of augury. Tiresias has a daughter, Manto, who is also a prophetess and priestess."
    Simple machine that cannot breathe or ache. Coyote dictates futile corrections to his gear. This Oracle of Zones is a mother, alright. The twin Zones - both Special Economic and Temporary Autonomous - symbolize invitations by their respective hosts to become changed; to be shown wrong. High on artificial fumes in virtual caves, Tiresias (pregnant with Manto?) are illegal yet invited; necessary; load-bearing. She sees and listens, assembles, then tells. And she's coming now, changing Self to change the flow of things, money, talk, data. She dies but goes on. A programming program, in darkness radiant.
    A seagull lands on the railing.
    Zip-tied to its tibia is a white USB drive.
    It is branded with a familiar hexagon.
  credits: |
    Précis by Cory Salveson. Music by Tyler Etters.
    Selected samples: Bauenrfeind, Beast Wars, Elden Ring, Cornell Lab of Ornithology, The Amity Affliction, Predator, True Detective, Cory's field recordings from China.
    The musician would like to express his deepest thanks to @zbs for their deft consultation on the final mix and unwavering devotion to sub-bass.
    Album art: screencap from "Can't Get You Out of My Head" by Adam Curtis.

- title: FADE SCATTER REPLICATE
  project: STUXNET
  released: 02023-03-20
  type: EP
  format: Digital
  role: Operator
  label: Intertext
  mp3: true
  wav: true
  tracks:
    - number: 1
      title: Sources and Methods
      length: 00:03:44
    - number: 2
      title: Coyote
      length: 00:05:52
    - number: 3
      title: Special Economic Zone
      length: 00:03:44
    - number: 4
      title: Border Crossing
      length: 00:03:28
    - number: 5
      title: In Infinite Fogs
      length: 00:05:52
  streams:
    - platform: Bandcamp
      url: https://stuxnet.bandcamp.com/album/fade-scatter-replicate
    - platform: Apple Music
      url: https://music.apple.com/us/album/fade-scatter-replicate-ep/1678223798
    - platform: Deezer
      url: https://www.deezer.com/us/album/419915087
    - platform: Spotify
      url: https://open.spotify.com/album/2lYuoDyy8iFJ54pGXGBBXT
    - platform: YouTube
      url: https://www.youtube.com/playlist?list=OLAK5uy_kfSHFbyXXaeLYHo8gPk1NcTuRbaoBNUfY
  notes: |
    Migrants are often between two worlds that do not really have a place for them: fleeing economic or political hardship and entering a place (ostensibly the U.S.) that fundamentally demands their labour yet officially outlaws them and treats them as sub-human. The coyote is doing a kind of extraordinary favor by rendering an extra-legal service, and putting themselves in harm's way to do so.
    Why choose this particular job?
    Perhaps because the coyote is "between," themselves. This casts them as a kind of archetypical shamanistic figure: a psychopomp, a guide of souls like Anubis, Charon, Hermes, Mercury, or Tarkovsky's Stalker. But, unlike this Jungian pantheon of tricksters, our coyote is not bound by divinity or magicks — they are a mercenary; they are bound by cash.
    In Nomadology: The War Machine, Deleuze & Guattari "redefine the relation between the state and its war machine. Far from being a part of the state, warriors (the army) are nomads who always come from the outside and keep threatening the authority of the state. In the same vein, nomadic science keeps infiltrating royal science, undermining its axioms and principles. Nomadology is a speedy, pocket-sized treatise that refuses to be pinned down. Theorizing a dynamic relationship between sedentary power and schizophrenic lines of flight, this volume is meant to be read in transit, smuggled into urban nightclubs, offices, and subways."
    It then follows the special economic zone is a stage for our coyote, our trickster, to turn logics and fortunes of capitalism inside out and upside down. The interior shared-self which persists through ultra time flow is, yes: dancing in place to move forward... and the special economic zone suspends the rules to incentivize a certain dancing, a particular folding back into itself to realize commerce, competition, fucking, running, transgressing, renewing.
    If the trickster makes this world, it follows the mercenary makes the state.
  credits: |
    Précis by Cory Salveson. Music by Tyler Etters.
    Selected samples: Dark Souls III, Mission: Impossible 4 — Ghost Protocol, X-Files, Metal Gear Solid, Underoath, Fortnite "Fracture" Event, Black Hawk Down.
    Inspired by a trip with my mother to Tijuana, Mexico, 2022.
    Album art: Midjourney prompt by John von Seggern.
    For Timm.

- title: EP2
  project: They Became What They Beheld
  released: 02022-03-12
  type: EP
  format: Digital
  role: Principal Musician
  label: Intertext
  mp3: true
  wav: false
  tracks:
    - number: 1
      title: Things are different now
      length: 00:10:12
    - number: 2
      title: That was closer to then
      length: 00:13:32
  streams:
    - platform: Amazon
      url: https://www.amazon.com/music/player/albums/B0D8V27MGB
    - platform: Apple Music
      url: https://music.apple.com/us/album/ep2-ep/1755926185
    - platform: Bandcamp
      url: https://theybecamewhattheybeheld.bandcamp.com/album/ep2
    - platform: Deezer
      url: https://www.deezer.com/us/album/611753282
    - platform: Spotify
      url: https://open.spotify.com/album/4cCMZUBtMPrCGNv1H37jaP
    - platform: YouTube
      url: https://www.youtube.com/watch?v=frMqtZ9c4u0&list=OLAK5uy_lpd0VhMA9BCkt-7sKKgQOxzR5yx28n7Lg
  notes: |
    Within the philosophies of time, three oppositional schools compete: Eternalism describes the phenomenon of time like a strip of film - the past and the future do exist, are real, but the present is merely a human concept. The growing block theory, maybe the most intuitive of the three, states that the present continually creates the past, but the future is unwritten. Presentism on the other hand argues that the only thing irrefutable is the present and that the past and the future are both unreal. By applying these three concepts to music, we may end up with a number of strategies to rethink what we consider as given.
    I would like to propose that there has been has been a slow shift in how music was perceived. Improvised music, prior to notation, can be considered as presentistic, manifesting itself only in the present, it’s only traces of existence written in memory. With interpretation and notation, the perception shifts more to a growing block. The mind got a hold of the past, but the future still remained a very unstable realm - once the hand made a mistake with an instrument or the voice was interrupted to catch a breath. Obviously the advent of the recording introduced an absolute future and with it the concept of eternalism in music. Furthermore the introduction of the loop, applied in its most extreme way within techno, embeds the listener in a coherent body of past and future, even with a view of the timeline - first on the record, later on the waveform. A car, racing on the Autobahn, free to move in both directions. Of course, one could argue that the state of ecstasy in which techno is consumed compresses time into a perfect present, the psychological present, which is defined as 2-3 seconds with the equivalent of 1 bar by 120 bpm…
    But staying for the moment with the first thought, we can ask the questions: is the loop the defining property of techno? What happens if we remove the certainty of the next kick, eroding the temporal and structural integrity of the genre? Presentism is a project based on one temporal randomised pulse, denying our ability to foresee the next kick and obscuring the possibility to form loops. Yet it upholds timbres and instrument references common to the genre. The aleatoric function acts like an agent of presentism in an eternalist domain. Like improvisation, it has the ability to remove a stable future and at the same time blur the memory by forming insignificant patterns. Intensification usually benefits from a balance between control and the prospect of collapse. The temporal shuffle of techno is the attempted surrender of control of the past and future to the present.
    — JAT, 2020
  credits: |
    Thanks to the person who sold me a faulty tape deck so I could not continue this project as intended because the original tape deck was in an airplane hanger because of the pandemic and everything stalled out for so long on both sides of the incident and then the project changed — like everything else did, that was closer to then and things are different now. Thanks to my dad for showing me Dancing Fantasy when I was a kid. Thanks to Sage for being infinitely patient and compassionate with me during the pandemic. Thanks to my two close friends who talked with me on the phone at length today, you know who you are. Thanks to Emily for finding this strange book and making me her audience of one. Thanks to the Adriance Memorial Library for first stocking the book and later stamping it with DISCARD. Thanks to Hippo Books who succeeded in diverting it from a landfill and otherwise help to fund library sustainability and provide meaningful solutions to the global problem of illiteracy.
    About text, icon, and name sourced from They Became What They Beheld written by Edmund Snow Carpenter, photographed by Ken Heyman, designed by Hess and/or Antupit, 1970.
    Audio sourced from Shostakovich's Symphony No. 5, Op. 47 performed by Leonard Bernstein, New York Philharmonic, 1980.
    Audio sourced from Dancing Fantasy's Op. Midnight Blvd. "...double fantasy...a dream... ...within a dream..." IC / Innovative Records, 1990.
    Photographs from my trip to Petalying Jaya, Malaysia, 2017.
    Engineered by Tyler Etters, 2019 — 2022.

- title: Deep State Music
  project: Sidereal Lobby
  released: 02021-09-04
  type: Triple LP
  format: Digital
  role: Band Member
  label: Map Corps
  mp3: false
  wav: false
  tracks:
    - number: 1
      title: Deep State Music
      length: 00:27:19
  notes: |
    Over the course of their first journey (which started months before they realized they would become a band), the humans created many auditory things together and separately. Some of this was good but had found itself in a “stuck” state. Some things extended a bit earlier than the boundary of acquaintance but felt appropriate for inclusion. At any rate, both humans were in an exorcising mood. They decided it was time to release these peach fuzz laden demons. The exorcism exercise would be comprised of a continuous sort of mix tape or DJ mix containing these demons occupying the auditory plane.
    As is becoming their custom, the humans again took turns weaving the structures. This time the structures were on a somewhat larger scale. They pulled in beats, basslines, melodies, and scraps of texture. Both humans expected the final product to be quite rhythmic and beat-driven. To their credit, this does appear to accurately describe much of what the three of us arrived at. They did manage to sneak in some free-meter synth jams, which provided some loose [a]rhythmic accompaniment to the more musically adherent elements.
    However, the real surprise came when the emotional impact of exorcising some demons in particular started to affect both humans. The beats in these instances decidedly needed to take a back seat to the so-called “feels”: drones, sad arpeggio breakdowns, lolling refracted feedback melodies. As the iris of psychic transmorgification closed, the minds’ eyes adjusted back to the new light level, the steam evaporated, the dust settled, and the humans incanted an old, familiar phrase to lighten these heaviest of demons:
    ... like tears in the rain ...
    The final mix arrived at a total of 300 MB worth of uncompressed PCM audio. This size is above Bandcamp’s 291MB track limit, so 9MB was cut down from the final waveform data. The human who spliced has assured myself and the other human that we will never know (and, one would hope, never miss) those 9MB.
    My aunt, the Goddess SEO (that’s just her name, I don’t know what it stands for and I’m afraid to ask her) demanded that I mention the following terms. I do not understand their context and feel uncertain of how to integrate them into the above, so I shall simply list them: mapcore, caveman.sh.
    (SEO also mentioned something about “hashed tags”. She took pity on me when she saw how terribly frightened I was of these strange, unfamiliar words, so she stopped short of asking me to use them. I hope this does not create any confusion.)
  credits: |
    Laws & Etters, mmxxi

- title: FCIV
  project: Sidereal Lobby
  released: 02021-09-04
  type: Triple LP
  format: Digital
  role: Band Member
  label: Map Corps
  mp3: false
  wav: false
  tracks:
    - number: 1
      title: Mental Dub (Lisbon)
      length: 00:04:18
    - number: 2
      title: Mental Dub (Des Moines)
      length: 00:04:10
    - number: 3
      title: Mental Dub (Null Lake)
      length: 00:04:20
  notes: |
    Dub is a refraction of alien consciousness
    Flash Crash was approaching. The folks running the event wanted dub in their interstitial program. I complied.
    It began with Mental Dub, constructed entirely in Ableton Live with stock samples and soft synths. The other human loaded its stems into his Octatrack for further mutation, which became Des Moines. The first human further mutated Des Moines within Ableton to create Null Lake. The humans had little hesitation about mix or levels.
    One (and only one) of the humans does have a bit of regret that Mental Dub Lisbon was 100% created by them and not the other. In other words, the other did not have any samples, or audio, or melody at all, but both humans concurred it was OK because it all took place in the Sidereal Lobby.
    Most of the above thoughts were originally transcribed via text-to-speech processing in a Taco Bell parking lot. The allure of Baja Blast is known to be irresistible to sidereal lobbyists.
  credits: |
    Laws & Etters, mmxxi

- title: Beaches
  project: Sidereal Lobby
  released: 02021-09-04
  type: Triple LP
  format: Digital
  role: Band Member
  label: Map Corps
  mp3: false
  wav: false
  tracks:
    - number: 1
      title: conch
      length: 00:04:26
    - number: 2
      title: snail
      length: 00:02:22
    - number: 3
      title: periwinkle
      length: 00:03:41
    - number: 4
      title: bottles
      length: 00:03:30
  notes: |
    It began with failure.
    Both humans had, at different times, come into ownership of the same model of a powered synthesizer enclosure. At different times, the power supply of either enclosure failed in identical fashion. The second time, the steward of the enclosure discovered that the power supply had, in fact, not completely failed. It could still deliver some power, albeit at an attenuated amperage. Perhaps as a test, perhaps enthused at the novelty of the small enclosure, perhaps simply to amuse himself, he assembled a nonsensical menagerie of modules.
    The human then proceeded to record similarly nonsensical sounds. He doubted they were musical. They did contain rhythms, tones, things that repeat, but no more than household or industrial appliances. No logic or aesthetics he knew of applied. They were low-fidelity but not enough to be charming. These were adjacent to, but not quite the same as, what might be referred to as “noise music”. At times something resembling a melody or a chord would appear, but short-lived and unsupported. He didn't know what to do with this, but he was having fun, so he forged ahead.
    After indulging a compulsion to record, the first human decided to share a few minutes of this with the second human. The second human was not sure what to make of this. Out of mutual respect, he attempted to phrase a diplomatic and critically constructive suggestion. He introduced this suggestion. The first human sat in anticipation, waiting for second’s transmission to complete. After a few more minutes, the first human became aware that not only was the second human’s transmission taking some time to complete (and perhaps had been interrupted), but that he had an urge to record more bullshit. And so he did.
    By the time the first human had another recording to share, the second human had completed his transmission, and in fact had a record of his own to share. It was a collage, a juxtaposition: the original recording with new layers. The first human was shocked and delighted. This was beginning to sound like music. Now he saw the pattern - a friendly back-and-forth volley.
    This volley continued until the juxtapositions began to form a landscape with features. There were ugly, unexplainable crags and crannies, but also breathtaking vistas and soothing curves. The humans looked and listened upon this landscape with the awe and terror of a space traveler stranded on a remote beach, unsure of what it meant or where to go next, but grateful to be surrounded by grotesque beauty and eager to explore.
  credits: |
    Laws & Etters, mmxxi

- title: HUMAN INTERFERENCE TASK FORCE
  project: STUXNET
  released: 02021-07-26
  type: LP
  format: Digital
  role: Operator
  label: Intertext
  mp3: true
  wav: true
  tracks:
    - number: 1
      title: that it is a message at all
      length: 00:04:36
    - number: 2
      title: that dangerous material is stored in a given location
      length: 00:32:21
    - number: 3
      title: information about the type of dangerous substances
      length: 00:19:16
  notes: |
    The Human Interference Task Force was a team of engineers, anthropologists, nuclear physicists, behavioral scientists and others convened on behalf of the U.S. Department of Energy and Bechtel Corp. to find a way to reduce the likelihood of future humans unintentionally intruding on radioactive waste isolation systems. Specifically, the task force was to research the use of long-time warning messages to prevent future access to the planned, but stalled, deep geological nuclear repository project of Yucca Mountain.
    PROBLEM
    When atomic or fusion bombs are detonated in a war, or nuclear power plants are used in times of peace, an unnaturally high amount of radioactive waste is produced. This material will threaten human life and health for thousands of years. Consequently, nuclear technology necessitates the creation of a secure means of terminal storage for such materials for an unusually long time period.
    However, there is no method available to continuously provide the necessary knowledge about the location of nuclear waste over thousands of years. The culture of earlier centuries becomes incomprehensible when it is not translated into new languages every few generations. National institutions do not exist longer than a few hundred years. Even religions are not older than a few millennia and do not typically hand down scientific knowledge.
    Furthermore, the necessary length of storage is disputed among specialists. One work group in Germany concluded that nuclear waste must be separated from the biosphere up to one million years — about 30,000 human generations. Earlier assumptions were based on a period of 10,000 years, which seems to be too short given the half-life of certain radioactive isotopes (e.g. Plutonium-239 at 24,000 years).
    The written historical tradition of humanity, in contrast, is only about 5,000 years. Warnings in cuneiform script could be interpreted by some specialists, but others, such as the writing of the Indus Valley civilization, are already illegible after a few thousand years.
    REQUIREMENTS
    Three parts of any communication about nuclear waste must be conveyed to posterity:
    1. that it is a message at all
    2. that dangerous material is stored in a given location
    3. information about the type of dangerous substances
    ANSWERS
    To determine how to convey these three things, the "Zeitschrift für Semiotik" (Tübingen, Germany) issued a poll in 1982 and 1983 asking how a message might be communicated for a duration of 10,000 years. The poll asked the following question: "How would it be possible to inform our descendants for the next 10,000 years about the storage locations and dangers of radioactive waste?" leading to the following answers...
  credits: |
    The musician would like to express his deepest thanks to @license for their critical ear and honest heart.

- title: COUNTERSURVEILLANCE
  project: STUXNET
  released: 02021-07-07
  type: EP
  format: Digital
  role: Operator
  label: Intertext
  mp3: true
  wav: true
  tracks:
    - number: 1
      title: Dazzle Camouflage (MUA)
      length: 00:05:16
    - number: 2
      title: Countersurveillance
      length: 00:04:09
    - number: 3
      title: A Territory of History, Without Self
      length: 00:03:33
    - number: 4
      title: Pyrocumulus Days, Entropy Nights
      length: 00:02:18
    - number: 5
      title: What's Your Wifi Password?
      length: 00:02:18
    - number: 6
      title: I'm On Blockchain
      length: 00:03:02
    - number: 7
      title: Maybe
      length: 00:04:35
  streams:
    - platform: Bandcamp
      url: https://stuxnet.bandcamp.com/album/countersurveillance
    - platform: Apple Music
      url: https://music.apple.com/us/album/countersurveillance/1575845305
    - platform: Deezer
      url: https://www.deezer.com/album/243182572
    - platform: Spotify
      url: https://open.spotify.com/album/1Lt4XPgIYhdZDIDiCWyFKk
    - platform: YouTube
      url: https://www.youtube.com/watch?v=r88qIBmOm6Q&list=OLAK5uy_mVcyPPESa_cz6lDnxycPBa_UFbl5aLK0g
  notes: |
    Mapcore is a viable solution for surveying the world.
  credits: |
    COUNTERINTELLIGENCE was written, recorded, designed, and released on the STUXNET: NIGHTLY STREAMS // UNREMEMBERED DREAMS Twitch channel. While recording some of the gear blew a fuse. STUXNET is Tyler Etters.
    Album art: "The Nobili-Pesavento self-replicator, with a daughter copy in the process of making a grand-daughter copy. The automaton uses the 32-state extended John von Neumann rules, based on his work on universal constructors and self-reproducing automata."

- title: LONG LIVE THE LOST ONES
  project: STUXNET
  released: 02021-05-01
  type: LP
  format: Digital
  role: Operator
  label: Intertext
  mp3: true
  wav: true
  tracks:
    - number: 1
      title: Our world was always fallen but there was always light.
      length: 00:03:48
    - number: 2
      title: Damaged music is a metaphor for this world.
      length: 00:04:35
    - number: 3
      title: Music was always celebratory, but there was always sorrow.
      length: 00:02:50
    - number: 4
      title: For liberation lies in that which is shattered.
      length: 00:01:15
    - number: 5
      title: Designed to merge, engineered to transcend.
      length: 00:02:18
    - number: 6
      title: Liberation follows that which is broken.
      length: 00:07:56
    - number: 7
      title: Something you catch.
      length: 00:07:30
    - number: 8
      title: As you're scanning for distress calls.
      length: 00:03:53
    - number: 9
      title: Long live the lost ones.
      length: 00:05:12
  streams:
    - platform: Bandcamp
      url: https://stuxnet.bandcamp.com/album/long-live-the-lost-ones
    - platform: Apple Music
      url: https://music.apple.com/us/album/fade-scatter-replicate-ep/1678223798
    - platform: Deezer
      url: https://www.deezer.com/album/419915087
    - platform: Spotify
      url: https://open.spotify.com/album/2lYuoDyy8iFJ54pGXGBBXT
    - platform: YouTube
      url: https://www.youtube.com/watch?v=maPhkV6wzLk&list=OLAK5uy_kfSHFbyXXaeLYHo8gPk1NcTuRbaoBNUfY
  notes: |
    Dear listener,
    During the turn of the century in Chicago there was a radio station called WNRG Energy 92.7/5 . I was 12 or so and would always fall asleep listening to the likes of DJ Sammy, DJ Encore, PPK, D-Devils, Armin van Buuren, Sylver, ATC, and countless others. I pictured the radio waves blanketing Chicagoland's orange phosphorous haze from Kenosha to Kankakee; euphoric FM signals in an adjacent dimension. Compressed audio. The crackle of static. It was spiritual.
    How many others were listening along with me?
    How many others allowed themselves to be moved to tears in the music's rapture?
    One night all the DJs were there. They kept talking and laughing and telling stories. Being a trance radio station, this was quite irregular. They were sad. Then I realized: this was the final broadcast.
    LONG LIVE THE LOST ONES is a very special album for me, as the track titles may (or may not) reveal.
    The melodies were mostly written while flying back and forth between Los Angeles and Chicago during that brief season Sage and I were commuter spouses. Winter 2019/2020. At the end of the old world and the threshold of the new.
    With LONG LIVE THE LOST ONES, we find my nightly streams, my deep tryst for unabashedly earnest trance, and my endless experiments with lo-fi and distortion finally in conjunction. A constellation of energy, euphoria, and catharsis.
    I've started having visions of people dancing together again. These visions haunt and inspire me. Perhaps one day sooner than we think, DJs will return to the decks and revelers will return to the floors.
    None of us were ready for 2020. It is only now becoming clear what cultural trauma the pandemic has wrought. Scorched earths, decimated families, and shattered cultures. There is so much mourning to do.
    Everything is going to be different from here out.
    Once again, we must learn to dance.
    Yours,
    Tyler
  credits: |
    Album title by Cory Salveson, encryption key by Matthew Marx, distress signals by Dan Derks, music by Tyler Etters.
    Album art: "Kuwaiti oil wells set on fire by retreating Iraqi forces during Operation Desert Storm darken the sky with smoke, March 25, 1991. This image could have imperfections as it’s either historical or reportage."

- title: TIME'S FIREWALL (demo)
  project: STUXNET
  released: 02021-04-18
  type: Demo
  format: Digital
  role: Operator
  label: Intertext
  mp3: true
  wav: true
  tracks:
    - number: 1
      title: Time's Firewall
      length: 00:08:07
    - number: 2
      title: Fractal's Edge
      length: 00:11:02
  streams:
    - platform: Bandcamp
      url: https://stuxnet.bandcamp.com/album/times-firewall-demo
  notes: |
    At the behest of an anonymous agent, the Northern Information Applied Sciences & Phantasms Working Division agreed to the impossible: rationalize the numogram for the post-pandemic age.
    It is accepted that the numogram first manifested in the 90s via research from the CCRU. However, newly unearthed forensic evidence from The tf.nist.gov Timeserver Incident has cast a shadow of doubt on the true provenance.
    After the NIAS&PWD design scientist rationalized the numogram into a mathematically pure vector format, new sonic pathways were unlocked for STUXNET. The dossier was delivered and lead to yet more revelations: the existence of what can only be described as a time firewall. And, perhaps more unsettling, "fractal edges" thereby calling into question the very foundations of topology, Euclidean space, and recursion dynamics.
    Intertext formally published a request for support in understanding the implications of these twin entities on April 18, 2021.
    Operator instructions: `mv numogram.txt numogram.ai`
  credits: |
    STUXNET is Tyler Etters.

- title: MATRYOSHKA (demo)
  project: STUXNET
  released: 02021-04-10
  type: Demo
  format: Digital
  role: Operator
  label: Intertext
  mp3: true
  wav: true
  tracks:
    - number: 1
      title: The Payload Appeared Yesterday Due to a Zero Day Timezone Conversion Vulnerability
      length: 00:01:28
    - number: 2
      title: Supply Chain Attack Surface
      length: 00:02:14
    - number: 3
      title: 'A White USB Drive With "HEXAGON" iStock Logo #1135496271'
      length: 00:03:09
    - number: 4
      title: At Least One Reseller of Microsoft Cloud Services Was Compromised
      length: 00:02:44
    - number: 5
      title: Matryoshka Shell 1 - Ransomware Was Discovered on the Executive’s Peloton
      length: 00:02:13
    - number: 6
      title: Matryoshka Shell 2 - IoT Botnet DDoS
      length: 00:02:06
    - number: 7
      title: Matryoshka Shell 3 - Distributed Cryptocurrency Mining Operation
      length: 00:01:22
    - number: 8
      title: Matryoshka Shell 4 - International Date Line
      length: 00:02:46
    - number: 9
      title: Matryoshka Shell 5 - 総会屋 (deepfake.S)
      length: 00:03:21
    - number: 10
      title: Matryoshka Shell 6 - Schanuel's Conjecture (Evidence of Non-Human Origin)
      length: 00:02:29
    - number: 11
      title: The Media Confused the Matter With Container Ships
      length: 00:02:13
  streams:
    - platform: Bandcamp
      url: https://stuxnet.bandcamp.com/album/matryoshka-demo
  notes: |
    🪆🪆🪆🪆🪆🪆🪆🪆🪆🪆🪆
    Download includes "64chain-3.3.wav" to use with your own sampler. This sample is an assemblage of all the samples synthesized for this release.
  credits: |
    STUXNET is Tyler Etters.

- title: CIPHER SUITE (demo)
  project: STUXNET
  released: 02021-03-28
  type: Demo
  format: Digital
  role: Operator
  label: Intertext
  mp3: true
  wav: true
  tracks:
    - number: 1
      title: Trapdoor Function
      length: 00:02:11
    - number: 2
      title: Asymmetric Encrypted Transport
      length: 00:01:21
    - number: 3
      title: Forced Disclosure of Encryption Keys
      length: 00:02:31
    - number: 4
      title: Chinese Remainder Theorem
      length: 00:02:11
    - number: 5
      title: Hash Collision
      length: 00:04:52
    - number: 6
      title: Something You Have
      length: 00:10:05
    - number: 7
      title: Something You Know
      length: 00:03:25
    - number: 8
      title: Something You Are
      length: 00:05:40
  streams:
    - platform: Bandcamp
      url: https://stuxnet.bandcamp.com/album/cipher-suite-demo
  monospaceNotes: true
  notes: |
    % ssh-keygen -t ed25519
    Generating public/private ed25519 key pair.
    Enter file in which to save the key (/Users/mbp/.ssh/id_ed25519):
    Enter passphrase (empty for no passphrase):
    Enter same passphrase again:
    Your identification has been saved in /Users/mbp/.ssh/id_ed25519.
    Your public key has been saved in /Users/mbp/.ssh/id_ed25519.pub.
    The key fingerprint is:
    SHA256:0kv7znEhupmnDG+eyQAwWNgt8kwKzosGi4hpAmtf7HY mbp@mbp
    The key's randomart image is:
    +--[ED25519 256]--+
    | o..             |
    |+o+ .            |
    |=*o.             |
    |+ooo   .         |
    |B+. o . S . .    |
    |X=   + o + . .   |
    |= . o o + . .    |
    |   . o E.O.o     |
    |    . .o%++      |
    +----[SHA256]-----+
    % cat /Users/mbp/.ssh/id_ed25519
    -----BEGIN OPENSSH PRIVATE KEY-----
    b3BlbnNzaC1rZXktdjEAAAAABG5vbmUAAAAEbm9uZQAAAAAAAAABAAAAMwAAAAtzc2gtZW
    QyNTUxOQAAACDIR6QeH9ppP9f9xexpPOx0xAmGzWcU3SwBjSl7OZh1zgAAAJB79qzIe/as
    yAAAAAtzc2gtZWQyNTUxOQAAACDIR6QeH9ppP9f9xexpPOx0xAmGzWcU3SwBjSl7OZh1zg
    AAAEA1ic72mxJXRvpnU74JYkpnyQ+RhVHBnNLmuSpq4YcQY8hHpB4f2mk/1/3F7Gk87HTE
    CYbNZxTdLAGNKXs5mHXOAAAAB21icEBtYnABAgMEBQY=
    -----END OPENSSH PRIVATE KEY-----
  credits: |
    STUXNET is Tyler Etters.

- title: CARRIER (demo)
  project: STUXNET
  released: 02021-03-14
  type: Demo
  format: Digital
  role: Operator
  label: Intertext
  mp3: true
  wav: true
  tracks:
    - number: 1
      title: plateau
      length: 00:09:04
    - number: 2
      title: angel
      length: 00:05:11
    - number: 3
      title: mod3046
      length: 00:03:38
    - number: 4
      title: rave
      length: 00:01:46
    - number: 5
      title: fcore
      length: 00:02:39
    - number: 6
      title: lecture
      length: 00:10:17
    - number: 7
      title: abeyance
      length: 00:06:07
    - number: 8
      title: registry
      length: 00:01:26
  streams:
    - platform: Bandcamp
      url: https://stuxnet.bandcamp.com/album/carrier-demo
  notes: |
    made after they sieged the capitol
    made with elektron, make noise, mannequins, monome, others
    made before i knew how to use it all
  credits: |
    STUXNET is Tyler Etters.

- title: The Arecibo Lamentations
  project: Northern Information
  released: 02020-12-13
  type: LP
  format: Digital
  role: Principal Musician
  label: Intertext
  mp3: false
  wav: false
  tracks:
    - number: 1
      title: one is opposite six
      length: 00:02:15
    - number: 2
      title: Living Numbers
      length: 00:04:39
    - number: 3
      title: death is the only way out of the information age
      length: 00:01:29
    - number: 4
      title: baccarat
      length: 00:03:26
    - number: 5
      title: The Arecibo Lamentations
      length: 00:12:59
    - number: 6
      title: powerlines
      length: 00:00:48
    - number: 7
      title: time's arrow, our north star
      length: 00:00:58
    - number: 8
      title: COMbyne jlu13_0016
      length: 00:03:32
    - number: 9
      title: husk_L
      length: 00:02:57
  streams:
    - platform: Amazon
      url: https://www.amazon.com/music/player/albums/B08XMB77BZ
    - platform: Apple Music
      url: https://music.apple.com/us/album/the-arecibo-lamentations/1545199026
    - platform: Bandcamp
      url: https://northerninformation.bandcamp.com/album/the-arecibo-lamentations
    - platform: Deezer
      url: https://www.deezer.com/us/album/611728042
    - platform: Spotify
      url: https://open.spotify.com/album/3VV1dbNwOz5zZ7YN3RuLjU
    - platform: YouTube
      url: https://www.youtube.com/watch?v=i0ynniBYrto&list=OLAK5uy_k7d0iRfvZ1cFoSfkHX1rTncaTvt44sTKo
  notes: |
    -13,800,000,000: the universe forms.
    -4,500,000,000: the moon forms.
    -66,000,000: the Chicxulub impactor kills 75% of everything.
    01945: the first nuclear device is detonated at the Trinity Site.
    01960: construction of the Arecibo Observatory begins.
    01963: construction of the Arecibo Observatory ends.
    01974: the Arecibo message is broadcast.
    01985: Carl Sagan's novel, Contact, is published.
    02020: the Arecibo Observatory collapses.
    03000: the 10,000 Year Clock chimes thrice.
    +26,974: the Arecibo message arrives at M13.
    +10^14: star formation ceases.
    +10^40: black holes dominate the universe.
    +10^100: if protons decay, the universe suffers heat death.
    *All above dates and events are inaccurate.
    Any proceeds from the sale of this album will be donated to the Arecibo Observatory: www.naic.edu/ao/donations
  credits: |
    Thanks to Dan Derks, Brian Crabtree, Ryan Laws, Zack Scholl, Cory Salveson, Sage Etters, & Pasha Petrosyan.
    Augured, coded, patched, written, performed, lamented, and engineered by Tyler Etters in 2020.

- title: EP1
  project: They Became What They Beheld
  released: 02019-03-03
  type: EP
  format: Digital
  role: Principal Musician
  label: Intertext
  mp3: true
  wav: false
  tracks:
    - number: 1
      title: Everything is everywhere now
      length: 00:09:01
    - number: 2
      title: Back when things made sense
      length: 00:06:21
  streams:
    - platform: Amazon
      url: https://www.amazon.com/music/player/albums/B0D8V2M7BW
    - platform: Apple Music
      url: https://music.apple.com/us/album/ep1-single/1755907154
    - platform: Bandcamp
      url: https://theybecamewhattheybeheld.bandcamp.com/album/ep1
    - platform: Deezer
      url: https://www.deezer.com/us/album/611728112
    - platform: Spotify
      url: https://open.spotify.com/album/0O2h5MUv7EKTDEvBNGBGr3
    - platform: YouTube
      url: https://www.youtube.com/watch?v=oAOs-j61goA&list=OLAK5uy_n5jqrvL-9PzHsfrMqxg7NV0rSpmDdU3UM
  notes: |
    I recently came across the following rules of communication, posted in a School of Journalism:
    1. Know your audience and address yourself directly to it.
    2. Know what you want to say and say it clearly and fully.
    3. Reach the maximum audience by utilizing existing channels.
    Whatever sense this may have made in a world of print, it makes no sense today. In fact, the reverse of each rule applies.
    If you address yourself to an audience, you accept at the outset basic premises that unite the audience. You put on the audience, repeating clichés familiar to it. But artists don't address themselves to audiences; they create audiences. The artist talks to themself out loud. If what they say is significant, others hear and are affected.
    The trouble with knowing what to say and saying it clearly and fully is that clear speaking is generally obsolete thinking. Clear statement is like an art object: it is the afterlife of the process which called it into being. The process itself is the significant step and, especially at the beginning, is often incomplete & uncertain. Columbus's maps were vague & sketchy, but showed the right continent.
    The problem with full statement is that it doesn't involve: it leaves no room for participation; it's addressed to consumer, not co-producer. Allan Kaprow posted a few small posters about Berkeley: "SUPPOSE you were interested in designing a primer, in mixed media, etc. . . . Allan Kaprow will be in Berkeley in July & August." No phone, address, dates, terms. He found, however, that those who wanted to work with him, and those he wanted to work with, located him without difficulty.
    Reaching the maximum audience may be the last thing one wants to achieve. George Segal says, "I don't give myself to everybody. I give myself very intensely to my work, my wife, my kids, my few friends. I can't begin to give myself indiscriminately to all. It's the only thing that makes me pause about, say, Ginsberg's preachings of universal love or even California ideas about Esalen and touching."
    Utilizing existing channels can wipe out a statement. There is a widely accepted misconception that media merely serve as neutral packages for the dissemination of raw facts. Photographers once thought that by getting their photographs published in Life, they would thereby reach large audiences. Gradually they discovered that the only message that came through was Life magazine itself and that their pictures had become but bits and pieces of that message. Unwittingly they contributed to a message far removed from the one they intended.
    The same thing occurs on TV guest shows. Guests accept invitations to appear on programs in the hopes their messages will reach new and wider audiences, but even when they are treated in a friendly manner, they generally come away with a sense of failure. Somehow the message transmitted is far removed from the message intended. The original message has been declassified by an alien medium. "Oh, what a blow that phantom gave me!" cries Don Quixote.
    The young today shun the hardware of the past. Marx thought the big question was: Who owns the presses? Software makes hardware obsolete, an encumbrance, creating a false sense of power and security. The young package their messages in media that fit their messages, that is, they create new media to fit their messages. In so doing, they create their own audiences. Some of these audiences may be very small at the beginning. In Houston I met film makers producing films for audiences of no more than six. The point was that they would reach the right people in the right way with the right message.
    It is one of the curiosities of a new medium, a new format, that at the moment it first appears, it's never valued, but it is believed. What it offers, I believe, is a sudden insight, an unexpected glimpse into a reality that, at most, was merely suspected but never before seen with such clarity.
    Like guerrillas, the young are in a favored position; they don't need or want the hardware and audiences of yesterday.
    — Edmund Snow Carpenter, 1970
  credits: |
    Thanks to Emily for finding this strange book and making me her audience of one. Thanks to the Adriance Memorial Library for first stocking the book and later stamping it with DISCARD. Thanks to Hippo Books who succeeded in diverting it from a landfill and otherwise help to fund library sustainability and provide meaningful solutions to the global problem of illiteracy.
    About text, icon, and name sourced from They Became What They Beheld written by Edmund Snow Carpenter, photographed by Ken Heyman, designed by Hess and/or Antupit, 1970.
    Audio sourced from Shostakovich's Symphony No. 5, Op. 47 performed by Leonard Bernstein, New York Philharmonic, 1980.
    Photographs from my trip to Petalying Jaya, Malaysia, 2017.
    Engineered by Tyler Etters, 2019.

- title: Synergy Beat Music, Volume 1
  project: Synergy Beat
  released: 02018-10-31
  type: Compilation
  format: Digital
  role: Principal Musician
  label: Synergy Beat
  mp3: true
  wav: true
  tracks:
    - number: 1
      artist: The Future World Neural Net
      title: Synergy Beat Intro Credits
      length: 00:00:50
    - number: 2
      artist: キル ナイト
      title: Revenge Complex Lulu Theme
      length: 00:02:12
    - number: 3
      artist: Lavender Stranger
      title: Ambient Noir
      length: 00:02:31
    - number: 4
      artist: Bio Mint
      title: Peach Panic
      length: 00:02:22
    - number: 5
      artist: The Infinity Tigers
      title: Outpost UXB-1139
      length: 00:01:04
    - number: 6
      artist: Shock Model Duo
      title: ＤＲＥＡＭＲＯＡＤ
      length: 00:10:32
    - number: 7
      artist: The Future World Neural Net
      title: Synergy Beat Closing Credits
      length: 00:00:58
  streams:
    - platform: Bandcamp
      url: https://synergybeat.bandcamp.com/album/synergy-beat-music-volume-1
  notes: null
  credits: All music pasteurized by Tyler Etters.

- title: reverence
  project: tyler etters & the northern information movement
  released: 02017-12-22
  type: LP
  format: Digital
  role: Principal Musician
  label: Endless Field Studios
  mp3: false
  wav: false
  tracks:
    - number: 1
      title: the snail shell graveyard (w/ david)
      length: 00:03:30
    - number: 2
      title: fiddler's green
      length: 00:02:51
    - number: 3
      title: yes, these paths were promised
      length: 00:18:04
    - number: 4
      title: cometary
      length: 00:00:28
    - number: 5
      title: unnamed seasons (w/ sage)
      length: 00:09:45
    - number: 6
      title: this is hallowed ground
      length: 00:01:16
    - number: 7
      title: hope on the western sky
      length: 00:01:47
    - number: 8
      title: in standstill destiny
      length: 00:03:10
    - number: 9
      title: fireflies & fields
      length: 00:01:59
    - number: 10
      title: beacons of light
      length: 00:03:57
    - number: 11
      title: where the grass is uncut by blades of men
      length: 00:02:59
  streams:
    - platform: Amazon
      url: https://www.amazon.com/music/player/albums/B08XM796SK
    - platform: Apple Music
      url: https://music.apple.com/us/album/reverence/1547745922
    - platform: Bandcamp
      url: https://northerninformation.bandcamp.com/album/reverence
    - platform: Deezer
      url: https://www.deezer.com/us/album/611752092
    - platform: Spotify
      url: https://open.spotify.com/album/0ynd2S883zsBUNKA5cKZK8
    - platform: YouTube
      url: https://www.youtube.com/watch?v=U4WW5x3a4kw&list=OLAK5uy_kH23BzGril-nWMYZOJzBuXB0CxWUGJq7o
  notes: |
    - - - - - - - - - -
    chapter ix
    - - - - - - - - - -
    summer. morning. warmth and green. saturday. children meet at the end of the street to play. nature preserve. silent agreement. no games today. just be. creeks. white oaks. a crayfish somehow. power lines on the horizon. cumulus clouds and prairies forever. then one of them finds it beneath a domed castle of dark briar. the snail shell graveyard. calls to the others. huddled around the edge in silence. dozens of bone-white spirals encrusted in black mud. today they can only stare but the questions will come decades later: what force caused it to happen? was the ossuary exclusive to a single family? did some apex predator hunt each snail and return them to her voracious brood? did the snails all migrate together on their own volition? only to die in some great cataclysm? the annual prairie burn? the children know better than to take any shells. dusk. winter. the ice breaks. yelling for help. they scramble to get long branches. he is ok but his boot is claimed by the mud. summer again. they age. they don't play anymore. they hang out now. they go back the forest preserve past curfew. instead of running from imaginary monsters they run from the police. they still know all the hiding places and it is almost unfair. they keep aging. they lose touch. they sometimes remember. before it is over, each returns to the forest preserve in turn. always alone. always unknown by the others. not secret. just private. none of them can ever find it again.
    - - - - - - - - - -
    1. the snail shell graveyard (w/ david)
    2. fiddler’s green
    3. yes, these paths were promised
    4. cometary
    5. unnamed seasons (w/ sage)
    6. this is hallowed ground
    7. hope on the western sky
    8. in standstill destiny
    9. fireflies & fields
    10. beacons of light
    11. where the grass is uncut by blades of men
    - - - - - - - - - -
  credits: |
    released the day after the winter solstice, when the light begins her steady march to summer.
    written and recorded by tyler etters from an indeterminate point in the past through december 2017. featuring guitar by david kvistad on the snail shell graveyard and field recordings by sage etters on unnamed seasons. painting of cornfields in illinois (1994) by lynda wallis (tyler etters’s mom) with additional treatment by tyler etters.

- title: dispatches from the prime meridian
  project: tyler etters & the northern information movement
  released: 02017-12-21
  type: LP
  format: Digital
  role: Principal Musician
  label: Endless Field Studios
  mp3: false
  wav: false
  tracks:
    - number: 1
      title: surveillance industrial complex
      length: 00:03:21
    - number: 2
      title: twilight in shape
      length: 00:02:58
    - number: 3
      title: a cyan destiny
      length: 00:04:25
    - number: 4
      title: some more dreams from the hive
      length: 00:02:32
    - number: 5
      title: apophenia
      length: 00:03:24
    - number: 6
      title: later heaven
      length: 00:03:47
    - number: 7
      title: future shock
      length: 00:02:51
    - number: 8
      title: olympus mons
      length: 00:01:42
    - number: 9
      title: the path of many returns
      length: 00:06:40
  streams:
    - platform: Amazon
      url: https://www.amazon.com/music/player/albums/B08XMN8ZKB
    - platform: Apple Music
      url: https://music.apple.com/us/album/dispatches-from-the-prime-meridian/1547708878
    - platform: Bandcamp
      url: https://northerninformation.bandcamp.com/album/dispatches-from-the-prime-meridian
    - platform: Deezer
      url: https://www.deezer.com/us/album/611503632
    - platform: Spotify
      url: https://open.spotify.com/album/6TI5MU6WaicHjEuGtCloeW
    - platform: YouTube
      url: https://www.youtube.com/watch?v=qJ9DB6RT7V0&list=OLAK5uy_khnUjK_jTK1IvTeFhnECZ0jo8OPmztnRY
  notes: |
    - - - - - - - - - -
    chapter viii
    - - - - - - - - - -
    winter - city - neon dusk - service economies - capitalist realism - the hinge upon which the world turns - unexpected password reset - borrowed anxiety medication - ritual scarification of the mind - ego death - a thousand faces - monomyth - megalith - emergency motorcycle repair - sargasso sea - aggregate browser histories - anonymous cookies - london bridge is falling down - traffic rerouted through eastern europe - all roads lead to rome - the empire never ended - golgothan solstice - eclipse - ellipsism - algorithm - the flash crash of 2010 - the jackpot - universal coordinated time - quick response code - boarding pass - light pollution - the people's republic of the great pacific garbage patch - skeleton music - voodoo technology - hypothetical histories - satellites - orbital sovereignty - metalaws - the singularity already happened - death is the only way out of the information age - metadata reincarnation - the second unix epoch - as above so below - as below so beyond - at dusk there is no wind
    - - - - - - - - - -
    1. surveillance industrial complex
    2. twilight in shape
    3. a cyan destiny
    4. some more dreams from the hive
    5. apophenia
    6. later heaven
    7. future shock
    8. olympus mons
    9. the path of many returns
    - - - - - - - - - -
  credits: |
    released on the winter solstice, when both darkness and light hang in a wary balance.
    written and recorded by tyler etters from an indeterminate point in the past through december 2017. featuring pasha petrosyan on surveillance industrial complex, later heaven, and the path of many returns. numerous samples, videos, storyline components and album title by cory salveson. album cover polaroid of stone henge on the summer solstice (2017) by cory salveson with additional treatment by tyler etters.

- title: the legacy of our lost cause
  project: tyler etters & the northern information movement
  released: 02017-01-17
  type: LP
  format: Digital
  role: Principal Musician
  label: Endless Field Studios
  mp3: false
  wav: false
  tracks:
    - number: 1
      title: arcadian nights
      length: 00:05:22
    - number: 2
      title: leaving home
      length: 00:03:12
    - number: 3
      title: the emptiness will always follow you
      length: 00:02:38
    - number: 4
      title: shanzhai (guerilla fortress)
      length: 00:02:01
    - number: 5
      title: full steam
      length: 00:04:53
    - number: 6
      title: holy mountain hymn
      length: 00:06:41
    - number: 7
      title: reaver, yggdrasil, the thing at the end of the woods
      length: 00:06:07
    - number: 8
      title: bridges of terabithia
      length: 00:05:10
    - number: 9
      title: unscarred land
      length: 00:05:03
  streams:
    - platform: Amazon
      url: https://www.amazon.com/music/player/albums/B08XLXRKWY
    - platform: Apple Music
      url: https://music.apple.com/us/album/the-legacy-of-our-lost-cause/1547101505
    - platform: Bandcamp
      url: https://northerninformation.bandcamp.com/album/the-legacy-of-our-lost-cause
    - platform: Deezer
      url: https://www.deezer.com/us/album/611504142
    - platform: Spotify
      url: https://open.spotify.com/album/5DKUx4qlnrYl0iLYhy8vY8
    - platform: YouTube
      url: https://www.youtube.com/watch?v=UimL693T3Ho&list=OLAK5uy_mrHa-mRdz93XlzEwawxGPXjzYX2IyfdF0
  notes: |
    - - - - - - - - - -
    chapter vii
    - - - - - - - - - -
    we built the forest acropolis in a single day. that night we reveled at our achievement. we drank wine and played flutes and made merry. drunk and giddy with the possibility of the future, we fell asleep long after the sun rose. when we finally awoke, kudzu had inexplicably grown over everything. the columns began to crumble. confused, we cut it down and repaired what we could. the next day, the vines were back. again we cut them down, but again they grew back. our leaders proclaimed the land cursed. no one could remember why we built here in the first place anyway. so we left to build a new acropolis by the sea. some of our children remained. they climbed the vines and went on adventures in the woods, heirs of a ghost kingdom.
    - - - - - - - - - -
    1. arcadian nights
    2. leaving home
    3. the emptiness will always follow you
    4. shanzhai (gueriila fortress)
    5. full steam
    6. holy mountain hymn
    7. reaver, yggdrasil, the thing at the end of the woods
    8. bridges of terabithia
    9. unscarred land
    - - - - - - - - - -
  credits: |
    written & recorded by tyler etters from an indeterminate point in the past through december 2016 at endless field studios. featuring adam j. moore on full steam, holy mountain hymn, and reaver, yggdsrasil, the thing at the end of the woods. featuring arthur zdrinc on holy mountain hymn. featuring cory salveson on videos, images, and storyline.

- title: and though the soft apocalypse may yet overtake
  project: tyler etters & the northern information movement
  released: 02015-06-21
  type: LP
  format: Digital
  role: Principal Musician
  label: Endless Field Studios
  mp3: false
  wav: false
  tracks:
    - number: 1
      title: and though the soft apocalypse may yet overtake
      length: 00:01:12
    - number: 2
      title: unreliable narrator
      length: 00:02:30
    - number: 3
      title: entropy
      length: 00:05:34
    - number: 4
      title: palm beach
      length: 00:03:18
    - number: 5
      title: owl
      length: 00:02:30
    - number: 6
      title: boodle man
      length: 00:02:20
    - number: 7
      title: steady progress (deeper into the dark tangent)
      length: 00:01:24
    - number: 8
      title: in this spiraling darkness
      length: 00:08:20
    - number: 9
      title: heat death
      length: 00:01:09
    - number: 10
      title: armageddon rager
      length: 00:03:12
    - number: 11
      title: suburban gutter trash
      length: 00:01:29
    - number: 12
      title: flood sirens
      length: 00:01:14
    - number: 13
      title: requiem, tunnels between worlds
      length: 00:04:05
    - number: 14
      title: and then the crickets came
      length: 00:02:31
  streams:
    - platform: Amazon
      url: https://www.amazon.com/music/player/albums/B08XLHVYZN
    - platform: Apple Music
      url: https://music.apple.com/us/album/and-though-the-soft-apocalypse-may-yet-overtake/1547750195
    - platform: Bandcamp
      url: https://northerninformation.bandcamp.com/album/and-though-the-soft-apocalypse-may-yet-overtake
    - platform: Deezer
      url: https://www.deezer.com/us/album/611504062
    - platform: Spotify
      url: https://open.spotify.com/album/1KCrlpmU24jOUJwI8Z0bOZ
    - platform: YouTube
      url: https://www.youtube.com/watch?v=x0Feu-eX3eo&list=OLAK5uy_l_GoqpRTVTQfJINp7Gsvjz6YypYiSk_1Q
  notes: |
    - - - - - - - - - -
    chapter vi
    - - - - - - - - - -
    i have been having dreams about the apocalypse lately. firefighters swarming like ants on a smoldering sears tower, lake michigan simply exploding, the laws of physics deteriorating, heat death, psychological collapses. ever since i was a little boy the topic of eschatology intrigued me. i have always found the the snafus and close calls to be especially interesting: y2k, 12-21-2012, the return of nibiru... these overly hyped events stir up the fears and emotions of certain circles and then awkwardly fizzle out. contrast these to real-world atrocities, cold wars, personal and familial crises, and you realize the apocalypse is happening everyday for someone. ours is an age of false prophets and fear mongering. we make the apocalypse real in our minds. between the actual and perceived doomsdays there is enough to keep anyone worried and anxious for the rest of their lives. this album is about living in a world where anything can happen, where the soft apocalypse may yet overtake at any momemnt. it is a collage; a story; a sonic journey of found sounds and field recordings. it's rawer and rougher than anything i've released before. from anonymous protests in chicago to some particularly terrifying flood sirens, from emergency broadcasts to gin-drunk conversations with old timers about the wars of the 20th century. the singularity already happened. it is not yet over. be kind and generous, always. create something beautiful today and we'll be just fine.
    - - - - - - - - - -
    1. and though the soft apocalypse may yet overtake
    2. unreliable narrator
    3. entropy
    4. palm beach
    5. owl
    6. boodle man
    7. steady progress (deeper into the dark tangent)
    8. in this spiraling darkness
    9. heat death
    10. armageddon rager
    11. suburban gutter trash
    12. flood sirens
    13. requiem, tunnels between worlds
    14. and then the crickets came
    - - - - - - - - - -
  credits: |
    written & recorded by tyler etters from january 2015 through june 2015 at endless field studios. featuring adam j. moore on palm beach and suburban gutter trash.

- title: zulu
  project: tyler etters & the northern information movement
  released: 02015-03-29
  type: LP
  format: Digital
  role: Band Member
  label: Endless Field Studios
  mp3: false
  wav: false
  tracks:
    - number: 1
      title: OS1
      length: 05:45
    - number: 2
      title: OS2
      length: 04:14
    - number: 3
      title: OS3
      length: 02:01
    - number: 4
      title: OS4
      length: 01:24
  streams:
    - platform: Amazon
      url: https://www.amazon.com/music/player/albums/B08XLVPZ2R
    - platform: Apple Music
      url: https://music.apple.com/us/album/zulu-ep/1547100523
    - platform: Bandcamp
      url: https://northerninformation.bandcamp.com/album/zulu
    - platform: Deezer
      url: https://www.deezer.com/us/album/611501942
    - platform: Spotify
      url: https://open.spotify.com/album/43bxoEMw9jUG2vMFUuCUKC
    - platform: YouTube
      url: https://www.youtube.com/watch?v=7WloUf3-66o&list=OLAK5uy_k5jt0Uoc0VgsNRrl3RWCHySqVBcv3SWHU
  notes: |
    - - - - - - - - - -
    chapter v
    - - - - - - - - - -
    1. OS1
    2. OS2
    3. OS3
    4. OS4
    - - - - - - - - - -
  credits: |
    written & recorded by tyler etters and adam j. moore on march 28 2015 at endless field studios. album cover artwork by adam j. moore with additional treatment by tyler etters.

- title: the phantoms of our lost cause
  project: tyler etters & the northern information movement
  released: 02015-01-01
  type: LP
  format: Digital
  role: Principal Musician
  label: Endless Field Studios
  mp3: false
  wav: false
  tracks:
    - number: 1
      title: the secret symmetries of oakwood hills
      length: 00:06:29
    - number: 2
      title: there is no death, only reorganization
      length: 00:02:51
    - number: 3
      title: second chance
      length: 00:04:44
    - number: 4
      title: ch((e)i)m(er)ical
      length: 00:02:47
    - number: 5
      title: forest (R1-07348-0017.jpg)
      length: 00:02:16
    - number: 6
      title: 2am, rte 53, northbound
      length: 00:02:14
    - number: 7
      title: jacurutu
      length: 00:03:41
    - number: 8
      title: radio haces arrib{a} tu cowboy espacio
      length: 00:01:19
    - number: 9
      title: getageese
      length: 00:07:45
    - number: 10
      title: samsara (w/ adam)
      length: 00:03:06
    - number: 11
      title: the sound of her wings
      length: 00:02:36
    - number: 12
      title: infinite return of the same
      length: 00:02:19
    - number: 13
      title: nausicaä
      length: 00:05:35
  streams:
    - platform: Amazon
      url: https://www.amazon.com/music/player/albums/B08XMB5NWF
    - platform: Apple Music
      url: https://music.apple.com/us/album/the-phantoms-of-our-lost-cause/1550708799
    - platform: Bandcamp
      url: https://northerninformation.bandcamp.com/album/the-phantoms-of-our-lost-cause
    - platform: Deezer
      url: https://www.deezer.com/us/album/611727812
    - platform: Spotify
      url: https://open.spotify.com/album/6uQKrMnKgYtavYwIuEXnev
    - platform: YouTube
      url: https://www.youtube.com/watch?v=6_wx1DK4STo&list=OLAK5uy_m2oDZFmJ5IBG___w55SOr3GVJSHPS9P0Q
  notes: |
    - - - - - - - - - -
    chapter iv
    - - - - - - - - - -
    these are the phantoms of our lost cause. this album is my shroud of ghosts, the remnants, the lingering possibilities from timelines tangential. but make no mistake, dear listener: this is no album of b-sides. writing 'the geometrie of our lost cause' was something of a creative renaissance for me. more wavs, samples, beats and guitar drones filled my drives than i knew what to do with (and certainly more than would be appropriate for 'immemorial'). much of that remaining phantasmal material is now presented here. but there are songs from other times, too. 'there is no death, only reorganization' dates back to the 'terraforms' age; 'the secret symmetries of oakwood hills' was almost released on 'blue, the most celestial color'; 'nausicaä' holds the seeds of 'northern illinois'; the 'mainframe' movement in 'getageese' emerged from the 'serial index of unclaimed memories' sessions. once all of this music was sourced, exhumed, and resampled i loaded it up into my rig and rehearsed the album as though i were performing live. later, one of those hazey sessions would be promoted to the final mix in a largely unedited form. and thus begins the second trilogy...
    - - - - - - - - - -
    1. the secret symmetries of oakwood hills
    2. there is no death, only reorganization
    3. second chance
    4. ch((e)i)m(er)ical
    5. forest (R1-07348-0017.jpg)
    6. 2am, rte 53, northbound
    7. jacurutu
    8. radio haces arrib{a} tu cowboy espacio
    9. getageese
      i. we're going to getageese
      ii. mainframe (salvaged from failing ecicefis computer)
      iii. getageese is gone
    10. samsara (w/ adam)
    11. the sound of her wings
    12. infinite return of the same
    13. nausicaä
    - - - - - - - - - -
  credits: |
    written & recorded by tyler etters from an indeterminate point in the past through december 2014 at endless field studios. featuring adam moore on samsara. album cover artwork by paul petrosyan with additional treatment by tyler etters.

- title: senescence
  project: tyler etters & the northern information movement
  released: 02013-09-23
  type: LP
  format: Digital
  role: Principal Musician
  label: Endless Field Studios
  mp3: false
  wav: false
  tracks:
    - number: 1
      title: northern illinois
      length: 00:18:44
    - number: 2
      title: we failed
      length: 00:06:55
    - number: 3
      title: january 1st, 1970 + zero gmt
      length: 00:06:13
  streams:
    - platform: Amazon
      url: https://www.amazon.com/music/player/albums/B08XM9RMWP
    - platform: Apple Music
      url: https://music.apple.com/us/album/senescence/1547708658
    - platform: Bandcamp
      url: https://northerninformation.bandcamp.com/album/senescence
    - platform: Deezer
      url: https://www.deezer.com/us/album/611750652
    - platform: Spotify
      url: https://open.spotify.com/album/0rNcDNQsHb5NsVPX0Hq61i
    - platform: YouTube
      url: https://www.youtube.com/watch?v=kFYxNh09hb8&list=OLAK5uy_lTv9qeBfWmX-tvqNOWuNVJbwiKFr1tfes
  notes: |
    - - - - - - - - - -
    chapter iii
    - - - - - - - - - -
    there was a time before these experiences shaped us. do you remember? years before we scaled all those unforgiving mountain ranges, before the codes were counted, and before the firmament fell. melting. wavering. corporeal. now our minds are increasingly augmented by technology and time's passage becomes difficult for our hearts to feel. do you remember! before your phone vibrated in your pocket every fifteen minutes to remind you of minutia that is neither here nor there? do you remember! before we lived in fear of the police ticketing us for being at the park after sunset? do you remember!!! here i am again. alone late at night and drowning in drones. i have finished the last songs, bounced them to cassette to engineer some lo-fi glory, and i now present them to you, dear listener, in the utmost humility - for i walked away from too many projects and i have turned down too many friends to fold now.
    - - - - - - - - - -
    1. northern illinois
      i. wastes of the north
      ii. procession of the hauntologists
      iii. deed of the drones
      iv. tears of the space cowboy (w/ kevin, dorian & arthur)
      v. song of the cicada
    2. we failed
    3. january 1st, 1970 + zero gmt
    - - - - - - - - - -
  credits: |
    written & recorded by tyler etters from june 2013 through september 2013 at endless field studios except for 'tears of the space cowboy' which was also written by kevin clark, dorian zdrinc and arthur zdrinc sometime back in 2011.

- title: blue, the most celestial color
  project: tyler etters & the northern information movement
  released: 02013-06-21
  type: LP
  format: Digital
  role: Principal Musician
  label: Endless Field Studios
  mp3: false
  wav: false
  tracks:
    - number: 1
      title: music for forests of childhood
      length: 00:20:39
    - number: 2
      title: rainbow table
      length: 00:13:57
    - number: 3
      title: ΑΙΓΑΙΙΣ
      length: 00:01:21
    - number: 4
      title: zombie poison
      length: 00:05:36
    - number: 5
      title: intermission
      length: 00:01:53
    - number: 6
      title: the cicada must sing (sleepy brit)
      length: 00:03:30
    - number: 7
      title: four mile crib
      length: 00:10:41
    - number: 8
      title: ICD-10 Z73.0
      length: 00:04:12
  streams:
    - platform: Amazon
      url: https://www.amazon.com/music/player/albums/B08XM13BM7
    - platform: Apple Music
      url: https://music.apple.com/us/album/blue-the-most-celestial-color/1547708931
    - platform: Bandcamp
      url: https://northerninformation.bandcamp.com/album/blue-the-most-celestial-color
    - platform: Deezer
      url: https://www.deezer.com/us/album/611728452
    - platform: Spotify
      url: https://open.spotify.com/album/4NQk9Chnj4dm5JpIO5ME2x
    - platform: YouTube
      url: https://www.youtube.com/watch?v=QKyfbqzP6mU&list=OLAK5uy_lsTxpyQscjNtjP-88YpeFTUyqUPzLTHdg
  notes: |
    - - - - - - - - - -
    chapter ii
    - - - - - - - - - -
    you are in medias res - i know your time is brief so here is what you need to know: i have just released a new album entitled 'blue, the most celestial color'. you can listen and download it above.
    - - - - - - - - - -
    1. music for forests of childhood
    2. rainbow table
      i. textbook sql injection
      ii. don quixote
      iii. icebreaker / rave
    3. ΑΙΓΑΙΙΣ
    4. zombie poison
    5. intermission
    6. the cicada must sing (sleepy brit)
    7. four mile crib
    8. ICD-10 Z73.0
    - - - - - - - - - -
  credits: |
    written & recorded by tyler etters from december 2012 through june 2013 at endless field studios. featuring arthur zdrinc on rainbow table.

- title: the geometrie of our lost cause
  project: tyler etters & the northern information movement
  released: 02013-01-01
  type: LP
  format: Cassette, Digital
  role: Principal Musician
  label: Endless Field Studios
  mp3: false
  wav: false
  tracks:
    - number: 1
      title: immemorial
      length: 00:15:00
    - number: 2
      title: generative
      length: 00:15:00
  streams:
    - platform: Amazon
      url: https://www.amazon.com/music/player/albums/B08XM564ND
    - platform: Apple Music
      url: https://music.apple.com/us/album/the-geometrie-of-our-lost-cause-ep/1547738031
    - platform: Bandcamp
      url: https://northerninformation.bandcamp.com/album/the-geometrie-of-our-lost-cause
    - platform: Deezer
      url: https://www.deezer.com/us/album/611501802
    - platform: Spotify
      url: https://open.spotify.com/album/4RQ26hIooZ0tS7fwVq2XiV
    - platform: YouTube
      url: https://www.youtube.com/watch?v=LngaFKfwFOQ&list=OLAK5uy_l6JrOwqHnZsbkyY8FmSyaU74qRxSEJ0s8
  notes: |
    - - - - - - - - - -
    chapter i
    - - - - - - - - - -
    1. immemorial
      i. the forgotten distance
      ii. time slopes
      iii. by the train tracks (w/ arthur)
      iv. hazey power plant, 1001 drones (for paul)
      v. at another working gate
    2. generative
    - - - - - - - - - -
  credits: |
    written & recorded by tyler etters from october 2012 through december 2012 at endless field studios.

- title: Prolegomenon
  project: Connectedness Locus
  released: 02012-10-15
  type: EP
  format: Digital
  role: Principal Musician
  label: Endless Field Studios
  mp3: false
  wav: false
  tracks:
    - number: 1
      title: Prolegomenon
      length: 00:05:44
    - number: 2
      title: Fallen World
      length: 00:03:15
    - number: 3
      title: Terminal
      length: 00:04:57
    - number: 4
      title: And the Golden Hours... They Always Die to the Night
      length: 00:05:42
  streams:
    - platform: Bandcamp
      url: https://connectednesslocus.bandcamp.com/album/prolegomenon
  notes: |
    ...and the world forces you out once again, return to the highways, return to the endless fields; that word, prolegomenon, appeared in my dreams some time ago, immemorial, i didn't even know what the word was or what it meant, or even how to spell or pronounce it; 'prolegomenon,'; i knew only the feeling of it upon my tounge, the sound of it reflecting off the walls, the feeling it would impress upon me while reading it, i tried writing it down but failed many times, i couldn't triangulate the syllables but all evidence pointed towards it's existence... and then one night i stumbled accross it, wikipedia again, probably, just like connectedness locus, an anonymous entry that may or may not be credible and accurate - whatever the case, the word is correct, a descendent perhaps of some greek warlord but this time transposed three centuries forward into a neon dusk where houses are constructed with html, the past continues to be reframed by the present, history is writen by the victors while our dreams steadily wind down and we fall apart, our social network spreads thin as we flee, to the dissident corners of this fallen world, in my battered attempt to fix this battered language, we bum each other our entire lives, and my father entered rem sleep; and i forgot my closest friend’s name; and my mother flew to the afar north; to dance where the sumacs still grow. let us sing that truth whispered is truth betrayed, for an elephant never forgets: to arms! to arms! and we still fall apart. replication - repeating days - we are bloated and weak here in the states. tidal synths. royal timbral waves. a series of events leading up to a cataclysmic demise, microburst dreams, echoes from a standstill destiny, there is no death, only reorganization...
  credits: |
    Connectedness Locus is Tyler Etters.

- title: Terraforms
  project: Connectedness Locus
  released: 02011-07-30
  type: LP
  format: CD, Digital
  role: Principal Musician
  label: Endless Field Studios
  mp3: false
  wav: false
  tracks:
    - number: 1
      title: Where Dreams Go to Be Forgotten
      length: 00:04:45
    - number: 2
      title: Dissolve Away
      length: 00:03:28
    - number: 3
      title: Location Engineering
      length: 00:04:35
    - number: 4
      title: Time Mirage
      length: 00:03:35
    - number: 5
      title: Crisis of Destinies
      length: 00:04:55
    - number: 6
      title: Words and Worlds
      length: 00:03:37
    - number: 7
      title: The Future, Both Forever Ungrasped
      length: 00:04:02
    - number: 8
      title: Crucible
      length: 00:04:15
    - number: 9
      title: The Violinist of the Moon
      length: 00:05:21
    - number: 10
      title: A Truer Form
      length: 00:06:20
  streams:
    - platform: Bandcamp
      url: https://connectednesslocus.bandcamp.com/album/terraforms
  notes: |
    Beyond the northern wastelands where dreams go to be forgotten, where the legendary high tension power lines march into tangled heaps of wreckage, where rusty salt barges sputter about and dissolve away, where billboards vomit dusky portents of express oil changes, where steadfast location engineering generates an inadvertent legacy, where lonely stands of pines filter incandescent and nuclear light, where time mirages dot the coast line, where we don poisonous armor to ward off strange flying creatures, where a crisis of destinies pulls us away and into the darkness yet again, where our hand made dream catchers from childhood clink-clank into one another and crumble apart, where words and worlds whisper, where owls still gather in schools and sing in 7/4 to an embryonic moon, where the past and the future, both forever ungrasped, are forfeited to the bigwigs and their brokers, where great oak trees are chainsawed into heaps of hallucinating sawdust, where hacking the akashic records is the only option to escape the crucible, where you awaken on warm and sparsely populated shores to find your initials carved into each piece of driftwood, where the violinist of the moon vanishes before the final note is bowed, where the cicada must sing before you can return home, where a truer form unfurls as the great wings of metamorphosis engulf the emerald skies, the dreams of Connectedness Locus are spun and Terraforms can be heard.
  credits: |
    Connectedness Locus is Tyler Etters.

- title: When the Paint Peels
  project: Connectedness Locus
  released: 02010-02-18
  type: Single
  format: Digital
  role: Principal Musician
  label: Endless Field Studios
  mp3: false
  wav: false
  tracks:
    - number: 1
      title: When the Paint Peels
      length: 00:20:03
  streams:
    - platform: Bandcamp
      url: https://connectednesslocus.bandcamp.com/album/when-the-paint-peels-2
  notes: |
    ...was recorded on a rainy January afternoon in one of the back rooms of Swing State, a small art & music venue in the northern wastes of Illinois. The entire operation was executed on an analog reel-to-reel device.
    "It makes you listen with your ears, rather than your eyes," Isaac said as he loaded the magnetic tapes. My jaw hit the floor. Somewhere, miles away, my computer was steadily collecting a fine layer of dust.
  credits: |
    Written & performed by Tyler Etters of Connectedness Locus. Produced & engineered by Isaac Pierce of The Block of Wood Recordings. Mastered by Arthur Zdrinc of Endless Field Studios.

- title: Serial Index of Unclaimed Memories, File 1
  project: Everything Comes in Cycles; Everything Fades in Shades
  released: 02009-09-01
  type: LP
  format: Digital
  role: Band Member
  label: Endless Field Studios
  mp3: true
  wav: true
  tracks:
    - number: 1
      title: Between Sunlight And Shadow
      length: 00:04:28
    - number: 2
      title: The Fallen Oak
      length: 00:05:29
    - number: 3
      title: Koria Advance Is Your Friend
      length: 00:05:02
    - number: 4
      title: Places Pass And The Walls Of Green Collapse
      length: 00:04:52
    - number: 5
      title: The Prominence
      length: 00:11:11
    - number: 6
      title: They Burn The Fields
      length: 00:04:36
    - number: 7
      title: Gibbous
      length: 00:07:13
    - number: 8
      title: Qweens In The Woodgrain
      length: 00:04:13
    - number: 9
      title: Only If You Get Lost
      length: 00:08:27
  notes: |
    Serial Index of Unclaimed Memories File 1 is a spiraling nine track safari into the chaotic and serene realms of post-electronica. Astral, delay-riddled guitars, trip-hop/IDM drums, orchestrated ambience, lo-fi cassette deck samples, distorted bass, and psychosis inducing drones are just a few of the cards brought to the table.
  credits: |
    Composed, produced, and engineered by Paul Petrosyan and Tyler Etters.

- title: Serial Index of Unclaimed Memories, File 2
  project: Everything Comes in Cycles; Everything Fades in Shades
  released: 02009-09-01
  type: LP
  format: Digital
  role: Band Member
  label: Endless Field Studios
  mp3: true
  wav: true
  tracks:
    - number: 1
      title: Movement 802
      length: 00:08:37
    - number: 2
      title: Movement 34
      length: 00:04:41
    - number: 3
      title: Movement 4517
      length: 00:00:07
    - number: 4
      title: Movement 333
      length: 00:06:00
    - number: 5
      title: Movement 21
      length: 00:10:21
    - number: 6
      title: Movement 282
      length: 00:08:46
    - number: 7
      title: Movement 56
      length: 00:05:22
    - number: 8
      title: Movement 1175
      length: 00:09:10
    - number: 9
      title: Movement 796
      length: 00:06:18
  notes: |
    Serial Index of Unclaimed Memories File 2, is comprised of nine seperate tracks (here called 'Movements'), and is akin to a stream of consciousness dialouge between failing super-computer systems. Almost enitrely ambient, File 2 explores an entirely different realm than File 1.
  credits: |
    Composed, produced, and engineered by Paul Petrosyan and Tyler Etters.

- title: As Quippolous Codes Quietly Count
  project: Connectedness Locus
  released: 02009-09-01
  type: LP
  format: CD, Digital
  role: Principal Musician
  label: Endless Field Studios
  mp3: false
  wav: false
  tracks:
    - number: 1
      title: Mindtraps & Caltrops
      length: 00:04:09
    - number: 2
      title: Some See a Valley; Some See a Gate
      length: 00:00:43
    - number: 3
      title: Synnestvedt Orchards
      length: 00:03:43
    - number: 4
      title: In This Endless Intricacy
      length: 00:03:17
    - number: 5
      title: Still We Crumble Before the Oracles
      length: 00:03:07
    - number: 6
      title: Until the Patterns Converge
      length: 00:01:08
    - number: 7
      title: As Quippolous Codes Quietly Count
      length: 00:05:41
    - number: 8
      title: Demalia Lensing
      length: 00:03:06
    - number: 9
      title: We're Anime Kids
      length: 00:00:28
    - number: 10
      title: Awareness is to Watch as the Millions of Drones You Captured Just Walk Away
      length: 06:06
    - number: 11
      title: Knights of the Watertower
      length: 00:05:26
    - number: 12
      title: The Centipede
      length: 00:02:10
    - number: 13
      title: They Shield Your Geometrie (T9 Translation Error Mix)
      length: 00:05:43
    - number: 14
      title: Elephants, Veils, Stars
      length: 00:02:27
  streams:
    - platform: Bandcamp
      url: https://connectednesslocus.bandcamp.com/album/as-quippolous-codes-quietly-count
  notes: |
    As Quippolous Codes Quietly Count is a journey through prismatic mists of somnolence and destiny, gates of shimmering keyboard harmonics, mold-emblazoned percussives, and delerious, sludge-filled wastelands where only the foolish and the brave trek. Recorded over the course of 2 years, the album could easily be mistaken for an impressionistic account of a journey through space amidst a fleet of ghost ships.
  credits: |
    Connectedness Locus is Tyler Etters.

- title: Gates E.P.
  project: Everything Comes in Cycles; Everything Fades in Shades
  released: 02008-11-11
  type: EP
  format: CD, Digital
  role: Band Member
  label: Endless Field Studios
  mp3: false
  wav: false
  tracks:
    - number: 1
      title: Running
      length: 00:03:50
    - number: 2
      title: The Shoreless Ocean
      length: 00:05:13
    - number: 3
      title: Of Light
      length: 00:05:03
    - number: 4
      title: Upon The Gates Of Self Justification
      length: 00:02:46
    - number: 5
      title: Surrender & Realization
      length: 00:04:02
    - number: 6
      title: Sand Ladders
      length: 00:04:13
  notes: |
    None.
  credits: |
    Composed, produced, and engineered by Paul Petrosyan and Tyler Etters.

- title: Suntelia Aeon
  project: Inocula
  released: 02008-??-??
  type: LP
  format: CD, Digital
  role: Band Member
  label: Karma Productions
  mp3: false
  wav: false
  tracks:
    - number: 1
      title: Submerged
      length: 00:05:10
    - number: 2
      title: Facing the End
      length: 00:05:49
    - number: 3
      title: My Armor, My Ammunition
      length: 00:03:54
    - number: 4
      title: "19"
      length: 00:01:37
    - number: 5
      title: Mist
      length: 00:04:43
    - number: 6
      title: Your Weakest Moment
      length: 00:04:30
    - number: 7
      title: Crisis Reign
      length: 00:05:07
    - number: 8
      title: There Was Hope
      length: 00:05:07
    - number: 9
      title: Phantoms
      length: 00:03:45
    - number: 10
      title: One With Water
      length: 00:06:41
    - number: 11
      title: Monolith of Self
      length: 00:04:18
    - number: 12
      title: The End of an Age
      length: 00:03:09
  notes: |
    None.
  credits: |
    All music written and performed by Inocula.
    Aaron Krause - Drums
    AJ Sugg - Vocals
    Browneye - Guitar
    Daniel Massey - Guitar
    Paul Petrosyan - Bass
    Tyler Etters - Keybards/Samples

- title: Organica Lensing
  project: Lucid End
  released: 02007-??-??
  type: Single
  format: CD
  role: Principal Musician
  label: Independent
  mp3: false
  wav: false
  tracks:
    - number: 1
      title: Organica Lensing
      length: 00:04:02
  notes: |
    None.
  credits: |
    Lucid End is Tyler Etters.

- title: The Killing Tree
  project: Lucid End
  released: 02007-??-??
  type: Single
  format: CD-R
  role: Principal Musician
  label: Independent
  mp3: false
  wav: false
  tracks:
    - number: 1
      title: The Killing Tree
      length: 00:04:08
  notes: |
    None.
  credits: |
    Lucid End is Tyler Etters.

- title: Time to Breathe; Time to Think
  project: Lucid End
  released: 02007-??-??
  type: LP
  format: CD-R
  role: Principal Musician
  label: Independent
  mp3: false
  wav: false
  tracks:
    - number: 1
      title: Lie Down in Darkness
      length: 00:03:10
    - number: 2
      title: Photographs of Dust
      length: 00:05:01
    - number: 3
      title: Synchronicity
      length: 00:03:06
    - number: 4
      title: Don't Leave Me
      length: 00:05:00
    - number: 5
      title: The Spider and the Formula
      length: 00:05:36
    - number: 6
      title: Arabesque
      length: 00:03:30
    - number: 7
      title: Migration, The Spire Will Kick Up Her Children
      length: 00:03:35
    - number: 8
      title: To the Construct
      length: 00:04:33
    - number: 9
      title: Clouds (Bleed Air)
      length: 00:07:30
    - number: 10
      title: They Rescue You
      length: 00:04:02
    - number: 11
      title: Leyline
      length: 00:03:53
  notes: |
    None.
  credits: |
    Lucid End is Tyler Etters.

- title: Descent Into Dreams
  project: Ix
  released: 02007-04-08
  type: LP
  format: CD
  role: Band Member
  label: Endless Field Studios
  mp3: false
  wav: false
  tracks:
    - number: 1
      title: Doppleganger's Lattice
      length: 00:03:42
    - number: 2
      title: Fractures Overlap Above the Fields
      length: 00:04:36
    - number: 3
      title: Circadian Rhythm
      length: 00:03:53
    - number: 4
      title: Mantra of the Sumacs
      length: 00:03:15
    - number: 5
      title: Return to the Mind
      length: 00:03:31
    - number: 6
      title: Descent Into Dreams
      length: 00:04:08
    - number: 7
      title: A Different Process
      length: 00:03:38
    - number: 8
      title: Paradigms Unwritten
      length: 00:03:50
    - number: 9
      title: Symbiotics
      length: 00:03:20
    - number: 10
      title: Transience and Perpetuality
      length: 00:03:54
    - number: 11
      title: Yet These Memories Isolated Us
      length: 00:04:29
    - number: 12
      title: Beneath the Orange Ethers
      length: 00:02:01
    - number: 13
      title: Constant Awareness
      length: 00:03:00
    - number: 14
      title: Drift
      length: 00:04:17
  notes: |
    None.
  credits: |
    Ix is Paul Petrosyan and Tyler Etters. All music written, performed, and engineered by Ix at Endless Field Studios.

- title: Yet These Memories Isolated Us
  project: Ix
  released: 02006-??-??
  type: Single
  format: CD-R
  role: Band Member
  label: Endless Field Studios
  mp3: false
  wav: false
  tracks:
    - number: 1
      title: Yet These Memories Isoalted Us
      length: 00:04:37
    - number: 2
      title: Weeping in Neutrality
      length: 00:03:35
    - number: 3
      title: Imaginary Number
      length: 00:03:34
  notes: |
    None.
  credits: |
    Ix is Paul Petrosyan and Tyler Etters. All music written, performed, and engineered by Ix at Endless Field Studios.

- title: Files
  project: Lucid End
  released: 02006-??-??
  type: LP
  format: CD-R
  role: Principal Musician
  label: Independent
  mp3: false
  wav: false
  tracks:
    - number: 1
      title: Somnium Scipionis
      length: 00:01:20
    - number: 2
      title: Outsdied
      length: 00:04:26
    - number: 3
      title: Apprehension
      length: 00:03:30
    - number: 4
      title: Epilogue
      length: 00:03:44
    - number: 5
      title: Files
      length: 00:03:44
    - number: 6
      title: The Little House
      length: 00:05:15
    - number: 7
      title: Gaseous Tetrahedrons
      length: 00:13:00
  notes: |
    None.
  credits: |
    Lucid End is Tyler Etters.

- title: Ix E.P.
  project: Ix
  released: 02006-??-??
  type: EP
  format: CD-R
  role: Band Member
  label: Independent
  mp3: false
  wav: false
  tracks:
    - number: 1
      title: Approaching the Gates
      length: 00:01:42
    - number: 2
      title: Complex Number
      length: 00:03:13
    - number: 3
      title: Dying Alone
      length: 00:04:00
    - number: 4
      title: The Wake
      length: 00:03:28
    - number: 5
      title: Splintering
      length: 00:05:00
    - number: 6
      title: Content with Failure
      length: 00:03:38
    - number: 7
      title: Weary Eyes of Reason
      length: 00:03:49
    - number: 8
      title: Sweet Lobotomy
      length: 00:03:55
  notes: |
    None.
  credits: |
    Ix is Paul Petrosyan and Tyler Etters.