@book{Balzano:1982,
  Author = {Balzano, J. G.},
  Year = 1982,
  Title = {{The Pitch Set as a Level of Description for Studying Musical Pitch Perception}},
  url = {https://doi.org/10.1007/978-1-4684-8917-0_17},
  Booktitle = {Balzano G.J. (1982) The Pitch Set as a Level of Description for Studying Musical Pitch Perception. In: Clynes M. (eds) Music, Mind, and Brain. Springer, Boston, MA. https://doi.org/10.1007/978-1-4684-8917-0_17},
  Publisher = {Springer, Boston, MA},
  doi = {10.1007/978-1-4684-8917-0_17},
}

@article{clampitt,
  author = {Carey, Norman and Clampitt, David},
  year = {1989},
  title = "{Aspects of Well-Formed Scales}",
  journal = {Music Theory Spectrum},
  volume = {11},
  number = {2},
  pages = {187-206},
  month = {10},
  abstract = "{Pentatonic, diatonic, and chromatic scales share the same underlying structure, that of the well-formed scale. Well-formedness is defined in terms of a relationship between the order in which a single interval generates the elements of a pitch-class set and the order in which those elements appear in a scale. Another characterization provides a recursive procedure for organizing all well-formed scales into hierarchies. Finally, well-formed scales are defined in terms of scale-step measure, and aspects of the diatonic set are examined.}",
  issn = {0195-6167},
  doi = {10.2307/745935},
  url = {https://doi.org/10.2307/745935},
  eprint = {https://academic.oup.com/mts/article-pdf/11/2/187/3800626/11-2-187.pdf},
}

@article{rahn1991coordination,
  author={Rahn, Jay},
  year={1991},
  title={Coordination of interval sizes in seven-tone collections},
  journal={Journal of Music Theory},
  volume={35},
  number={1/2},
  pages={33--60},
  publisher={JSTOR},
  doi={10.2307/843809}
}

@article{vassilakis2001auditory,
  author={Vassilakis, Pantelis},
  year={2001},
  title={Auditory roughness estimation of complex spectra—Roughness degrees and dissonance ratings of harmonic intervals revisited},
  journal={The Journal of the Acoustical Society of America},
  volume={110},
  number={5},
  pages={2755--2755},
  publisher={Acoustical Society of America},
  doi = {10.1121/1.4777600}
}

@book{lerdahl2001tonal,
  author={Lerdahl, Fred},
  year={2001},
  title={Tonal pitch space},
  publisher={Oxford University Press, USA},
  doi = {10.1093/acprof:oso/9780195178296.001.0001}
}

@article{carey2007coherence,
  author={Carey, Norman},
  year={2007},
  title={Coherence and sameness in well-formed and pairwise well-formed scales},
  journal={Journal of Mathematics and Music},
  volume={1},
  number={2},
  pages={79--98},
  publisher={Taylor \& Francis},
  doi = {10.1080/17459730701376743}
}

@book{forte1973structure,
  author={Forte, Allen},
  year={1973},
  title={The structure of atonal music},
  volume={304},
  publisher={Yale University Press},
  isbn = {9780300021202},
  
  
}

@inproceedings{music21,
  author = {Cuthbert, Michael Scott and Ariza, Christopher},
  year = {2010},
  title = {Music21: A Toolkit for Computer-Aided Musicology and Symbolic Music Data.},
  added-at = {2020-03-12T00:00:00.000+0100},
  biburl = {https://www.bibsonomy.org/bibtex/2655eb165e9efd7371a52cc1ce2d4efab/dblp},
  booktitle = {ISMIR},
  crossref = {conf/ismir/2010},
  editor = {Downie, J. Stephen and Veltkamp, Remco C.},
  ee = {http://ismir2010.ismir.net/proceedings/ismir2010-108.pdf},
  interhash = {75ae23495cb8183efb69481e6ad51a5f},
  intrahash = {655eb165e9efd7371a52cc1ce2d4efab},
  isbn = {978-90-393-53813},
  keywords = {dblp},
  pages = {637-642},
  publisher = {International Society for Music Information Retrieval},
  timestamp = {2020-03-13T13:00:05.000+0100},
  url = {http://dblp.uni-trier.de/db/conf/ismir/ismir2010.html#CuthbertA10},
  doi = {10.5281/zenodo.1416114}
}